Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

A Christmas Dialogue Continues

Consider Classic as the next installment of Martina McBride’s ongoing dialogue with Christmas, and a fairly scintillating one at that. It earns its title.
by David McGee
 

 
 

Sustainable Agriculture News & Notes

Organic seeds with your coffee? The ancient Pongamia Tree as a biofuel feed solution? A New Britain, CT, farm seeks to improve a neightborhood with sustainable urban agriculture? Read about it here.
by David McGee
 

 

 

France’s Ever-Visceral Harpsichord Legacy

'These are not performances that conjure ghosts of the past: harpsichordist ADAM PEARL reveals that this music lives as viscerally today as it did two-and-a-half centuries ago.
by David McGee
 

 
 

Robert Neubecker’s Little Plane That Could

Two superb new children's books are on JULES's radar: ROBERT NEUBECKER's charming LITTLE SMOKEY and, from the legendary ELOISE GREENFIELD, a personal look at midwives in THE WOMEN WHO CAUGHT THE BABIES
by David McGee
 

 

 

To Attract and To Intrigue

On THE ORIGIN OF ADJUSTABLE THINGS, jazz singer/composer JOANNA WALLFISCH, accompanied by pianist DAN TEPFER, offers new songs and inspired covers in a variety of styles.
by David McGee
 

 
 

Those Mean Woman Blues

A stomping groove, a steely, slice-and-dice guitar attack and a growling vocal greet listeners to CHRIS LORD & CHEATIN' RIVER's CHUNKABILLY BLUES, and this Seattle-based power trio never lets up from there.
by David McGee
 

 

 

Do You Believe in Magic?

A recently unveiled 45-year-old tape recorded in a tiny Milwaukee club in 1968 gives us a powerhouse live performance by MAGIC SAM in prime-time mode, both in voice and with his guitar, on LIVE AT THE AVANT GARDE.
by David McGee
 

 
 
 

VIOLENT SATURDAY (1955)

Director RICHARD FLEISCHER's VIOLENT SATURDAY is an excellent film noir entry from 1955 starring a young Lee Marvin, Ernest Borgnine and Victor Mature; plus Donald Duck in a mellow satire on hunting, 'No Hunting' (1955)
by David McGee