Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Pleasures Of Music

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee
 
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Classical Perspectives

The Many ‘Worlds’ of Mandolinist Extraordinaire Avi Avital

Israeli-born mandolinist AVI AVITAL is blurring the classical-folk lines anew with BETWEEN WORLDS, featuring the work of 'classical composers inspired by folk music.'
by David McGee
 
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Spotlight Album

The Journey Proceeds Apace…

In the front rank of Ireland's new wave of young traditionalists, BEOGA is making its move in the U.S. with a strong new album that continues the band's amazing journey since its formation in 2002.
by David McGee
 
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Reviews

Heat Wave

Two outstanding HOT CLUBs--one of SAN FRANCISCO, the other of the mythical COWTOWN--occupy similar turf on their new albums, both being tributes to the gypsy jazz legacy of DJANGO REINHARDT and STEPHANE GRAPELLI.
by David McGee
 
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Away Out There

An Atmosphere Around the Moon?

Water on the Moon? New research suggests billions of years ago the Moon had an atmosphere composed primarily of carbon monoxide, sulfur and water, much like that of Mars today. And where there is water...
by David McGee
 
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Features / News
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Updike at Easter, 2026 Edition

Our 15th installment of Update at Easter, pondering the meaning and purpose of the literary giant's iconic poem about Christianity's signal event , with musical interludes by REGINA VANDERJEICK, ELVIS, MAHALIA, THE SENSATIONAL ...
by David McGee
 
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Reviews

Family Ties

Bluegrass newcomers FLATT LONESOME are capturing the traditional world's attention with their debut album. A flawless start it's not, but the band is positioning itself for a long, fruitful run.
by David McGee
 
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Spotlight Album

Universal Truths

NOAM PIKELNY steps away from the PUNCH BROTHERS for his fourth solo album, UNIVERSAL TRUTH; and the truth is, it's just Noam, his instruments, his voice, and it's great.
by David McGee
 
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