Deep Roots Magazine - Roots Music and Meaningful Matters

A Great Storm in Utah

From his collections of essay published in 1819, JOHN MUIR recounts 'A Storm in Utah,' and proves himself as insightful about the 'salt Latter Days' as he is poetic about the forces of nature.

by David McGee

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Gospel News & Notes – February 2013

In Gospel News & Notes: Fundraising begins to complete a documentary about the BARRETT SISTERS; DEWAYNE WOODS is PETA's first faith-based spokesperson; the Tri-City Singers mark 20th anniversary with CD/DVD

by David McGee

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Let Us Now Praise Infamous Men

The pen and musicianship of the legendary JOHN MENDLESSOHN have brought us ISAMBARD JONES & HIS ORCHESTRA, wherein the absurdist meets the British Music Hall.

by David McGee

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Los Grobo — A Farming Model of the Future?

The second largest grain producer in Latin America generates revenue of about $550 million USD per year, produces or handles more than 2.6 million tons of grain per year, farms more than 617,000 acres every year, employs 900 st...

by David McGee

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Top of the World, Ma! (The Best Albums of 2014)

The Deep Roots ALBUM OF THE YEAR 2014 selections honor the artistry of ROSANNE CASH, SEAN COSTELLO, LISA MILLS, PETER ROWAN and JESSE WINCHESTER.

by David McGee

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The Dark Saint Rises

A genuine Statement record, IVY FORD's CLUB 27 finds the gifted Chicago-based blues artist-singer, songwriter, multi-instrumentalist--coming into her own in a powerful way. One of the year's best here.

by David McGee

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News & Notes – January 2013

In NEWS & NOTES: Gospel stalwarts unite on single to benefit MY SANDY HOOD FUND; 'CHINA BEACH' finally set for DVD release; BLAKE SHELTON consigned to Dunce's Corner, as RAY PRICE speaks out against ignorance; two SERENA MATTHE...

by David McGee

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Bob Marovich’s Gospel PIcks

A collection of gospel gems from veteran and new artists alike, including GLORIA GAYNOR's towering 'Testimony'; THE MANY's 'Love>Fear'; a reissue of REBA RAMBO's acclaimed 'Lady'; RENEE SPEARMAN's 'I Love Him,' and others.

by David McGee

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