Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Why Standing Rock Matters

In this measured but impassioned essay, LIZ PEREZ HALPERIN, Native American and Navy Veteran, explains the issues surrounding the Standing Rock resistance to the Dakota Access Pipeline. Must reading.
by David McGee
 

 
 

An On-Time Messenger for the Lord

It takes no special insight to point out the kinship of blues and gospel but 81-year-old LEO 'BUD' WELCH's debut album, Sabougla Voices, presses that truth home with a ferocity and unwavering conviction remarkable even for thes...
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Hard rock gospel from Japan's IMARI TONES; traditional trio gospel from NEW CONVERTED VOICES; hip-hop from ELOHIN; and multicultural sounds from the HOUSE OF DAVID soundtrack.
by David McGee
 

 
 

Expressing the Power and Beauty of Difference

A powerful commentary on migration, refugees and human rights, the multicultural RAFIKI JAZZ's third album, HAR DAM SAHARA, speaks eloquently to our time.
by David McGee
 

 

 

DEEP ROOTS ALBUMS OF THE YEAR, 2020

Honoring 10 exceptional album-length explorations of love, loss and spirituality by DAVID BROZA, ISAAC CAREE, KATHLEEN EDWARDS, FISK JUBILEE SINGERS, IVY FORD, GABRIELLE LOUISE, ROD MCCORMACK, JOHN MCCUTCHEON CARY MORIN and AL...
by David McGee
 

 
 

Nobody Wins

Five years after his last batch of original songs saw the light of day, RADNEY FOSTER returns as strong as ever on EVERYTHING I SHOULD HAVE SAID. The moral of the story: Nobody wins.
by David McGee
 

 

 

Carl Sagan’s Pale Blue Dot

With more than one million views at present, this video of CARL SAGAN's eloquent, poetic meditation on 'the only home we've ever known' is even more timely and important than it was when published in 1994. To say it speaks for ...
by David McGee
 

 
 

Feeling The Vibrations

Post-Kronos Quartet, cellist Joan Jeanrenaud has created one compelling solo work after another. Her latest, VISUAL MUSIC, delivers an unusual range of emotional wallops, says reviewer DERK RICHARDSON.
by David McGee