Updike at Easter, 2026 Edition | Deep Roots Magazine

Bob Marovich’s Gospel Picks

Seven potent new gospel releases appraised by BOB MAROVICH, including WILLIAM MURPHY, CASEY J, PHILLIP CARTER, GOLDEN GATE QUARTET, THE TOMMIES, THE RECORD COLLECTIVE and JESSICA DALLA TORRE.

by David McGee

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Time to Settle the Old Account

SYLVIA TYSON closes a legendary career with her finest solo effort, AT THE END OF THE DAY.

by David McGee

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Herb, Herby, Herbert. Daddy.

LIterate, witty, loving, insightful: a daughter remembers her unique father on the occasion of the centennial of his birth.

by David McGee

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Of Ethereal, Poised Beauty

Film composer Richard Harvey's disc of highly evocative choral music in superb performances from two Baltic choirs, the LATVIAN RADIO CHOIR and the ESTONIAN PHILHARMONIC CHAMBER CHOIR

by David McGee

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Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.

by David McGee

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Hope Is the Thing With Feathers

As birds go, so goes humanity. Three nominally classical albums poetically address the looming threats to the natural world.

by David McGee

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A pair of albums designed to spur reflection share ALBUM OF THE WEEK honors: NEARNESS, a classy batch of standards by TINA BRUHN and JOHNNY O'NEAL, and BEATLERIANAS by Carlos Barbosa-Lima & The Havant String Quartet

by David McGee

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Thoughts That Lie Too Deep for Tears

Two very different artists make two very different albums but still manage to cross paths. What do KENNY LAVENDER and his big band have in common with LAWRENCE BLATT and his guitar?

by David McGee

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