Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

The Kiowas’ Sacred Longhorn Mountain Under Siege in Oklahoma

In southwest Oklahoma the LONGHORN MOUNTAIN, sacred site to the Kiowa people, is in jeopardy of being turned to rubble by a gravel mining operation. Mining has stalled but the threat remains.
by David McGee
 

 
 

Of Secret Smiles and Unfinished Symphonies

RED RIVER DRIFTER may be MICHAEL MARTIN MURPHEY'S best yet. He's singing love songs again, but love songs of a different stripe, examining the emotion in all its complexity.
by David McGee
 

 

 

‘Put God First and Just Keep Moving’

As acclaim for their work grows, and a new album promises to be of breakout proportions, the men of Soul Tempo stay focused on the eternal verities By Bob Marovich Talk with Jeremiah “Jerry” Brunson of Soul Tempo fo...
by David McGee
 

 
 

The Cosmopolitan Queen of Bel canto

Classical contributor JOSEPH NEWSOME sits down for an enlightening chat with JESSICA PRATT, 'The Cosmopolitan Queen of Bel canto,' upon the release of her debut recital disc, SERENADE
by David McGee
 

 

 

Showtime, With an Edge

A scintillating interpretation of Neil Young's harrowing folk tale 'Powderfinger' is one of many delights of DARIN and BROOKE ALDRIDGE's Live at Red, White and Bluegrass album
by David McGee
 

 
 

The Man With All the Toys

BRIAN SETZER and his ORCHESTRA return for his sixth Christmas blowout, ROCKIN' RUDOLPH, which lives up to the warm , virtuosic and rockin' high standard the Stray Cat has set for himself at Yuletide
by David McGee
 

 

 

Raymond Myles and the Rocky Road to Redemption

MICHAEL SIGMAN on the late New Orleans gospel icon RAYMOND MYLES and a documentarian's attempt to finish a film about Myles's tragically short life and timeless musical legacy.
by David McGee
 

 
 

‘Mission’ Accomplished

On her vaunted new album, Mission, CECILIA BARTOLI (this is her--really, it is) fashions the music of Agostino Steffani into a conceptual work brimming with passion, politics and intrigue. It is the opera great’s finest hour.
by David McGee