Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
robot ray charles

America’s Shame, Japan’s Gain: An Animatronic Ray Charles

Well, it's happened. Japan has beaten America to the technology punch again, this time with an animatronic Ray Charles singing away outside Osaka Castle Park. But who's that man the box over in the corner?
by David McGee
 

 
 
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Troy Sneed Keeps It Simple

Gospel singer, producer, choir leader and executive TROY SNEED may wear many hats in his world, but his watchword, as he explains to BOB MAROVICH, is to 'keep it simple.'
by David McGee
 

 

 
Peggy Lee Christmas Carousel cover

In Praise of Those Who Keep Christmas Well

Believe the Hype: Wherein we appraise four truly classic Christmas albums + one bonus, by ELLA FITZGERALD, PEGGY LEE, CHARLES BROWN, STAN KENTON & SIDNEY BECHET
by David McGee
 

 
 
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How to Win Charts and Alienate People

In this two-part excerpt from his memoir, JUST REMEMBER: FIELD NOTES FROM A MUSIC BIZ LIFE, MICHAEL SIGMAN recalls the fallout from Record World's decision to publish sales-based charts, and how The Who changed the magazine's f...
by David McGee
 

 

 
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Memphis Now, Memphis Tomorrow, Memphis Forever

Paying tribute to the Bluff City's rich musical history, GARRY GOIN and PATRICK REGISTER, aka DUAL DRIVE, get funky with a capital F on some vintage Memphis tunes on THE MEMPHIS PROJECT
by David McGee
 

 
 
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Bob Marovich’s Gospel Picks

Female artists rule the day in BOB MAROVICH's latest Gospel picks of new albums by CHRYSANN MOORE, LATISHA JOHNSON MONTGOMERY, KATY CRAWFORD, GENETHEA WRIGHT, SAN FRANKLIN and SHALOM CHURCH & FRIENDS presemted by Dr. F. James C...
by David McGee
 

 

 
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Bob Marovich’s Gospel Picks

Seven potent new gospel releases appraised by BOB MAROVICH, including WILLIAM MURPHY, CASEY J, PHILLIP CARTER, GOLDEN GATE QUARTET, THE TOMMIES, THE RECORD COLLECTIVE and JESSICA DALLA TORRE.
by David McGee
 

 
 
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What’s So Funny ‘Bout Peace, Love and Kumbaya?

Contributing editor MICHAEL SIGMAN, surveying a raft of what he considers 'Kumbaya abuse,' says it's time to take the song back.
by David McGee