Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

A Dazzling French Connection

After dazzling the opera world on stage last year, Belgium's SONYA YONCHEVA is doing it on record, with her debut album, PARIS, MON AMOUR--a different sort of French connection. Also: TRIO MEDIAEVAL.
by David McGee
 

 
 

Swingin’ and A-Surfin’, All Summer Long: Revisited

A fresh look at one of our 2014 summer picks, SUMMER BEACH PARTY, a collection of tunes from the beach movies of the '60s, with some curious omissions to account for.
by David McGee
 

 

 

Hailing An American Treasure

From TheBluegrassSpecial.com's December 2010 issue, Chip Stern's insightful, impassioned missive concerning the life and music of Dave Brubeck on the occasion of the master's impending 90th birthday.
by David McGee
 

 
 

Prokofiev, Conflicted: Great Composer or Great Compromiser?

SERGEI PROKOFIEV was a great composer, but was he also a great compromiser when it came to bowing to the demands of the Soviet regime, which viewed him as a threat to the people?
by David McGee
 

 

 

‘Tenor Hits From the Age of the Talkies’

Reigning tenor king JONAS KAUFFMAN assays a charming collection of songs from a special time in Germany's history, the era of Sally Bowles and the Kit Kat Club
by David McGee
 

 
 

Shakespeare, In Concept

CLARA SANABRAS has adapted SHAKESPEARE'S 'THE TEMPEST' into an operatic production and, now, a concept album with Britten Sinfonia and others. It's a beauty. ROBERT HUGILL reviews.
by David McGee
 

 

 

Tchaikovsky, Straight & Ellingtonized (Or, ‘Let’s Play Two!’)

TCHAIKOVSKY wrote THE NUTCRACKER SUITE, DUKE ELLINGTON and BILLY STRAYHORN reimagined it, and HARMONIE ENSEMBLE NEW YORK offers both versions on a must-have holiday album.
by David McGee
 

 
 

How to Win Charts and Alienate People

In this two-part excerpt from his memoir, JUST REMEMBER: FIELD NOTES FROM A MUSIC BIZ LIFE, MICHAEL SIGMAN recalls the fallout from Record World's decision to publish sales-based charts, and how The Who changed the magazine's f...
by David McGee