Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Unraveling the ‘Redskins’ Lie: Americans Don’t Know Native History

KEVIN GOVER, director of the Smithsonian's National Museum of the American Indian, on the role of museums in correcting Americans' misperceptions about Native Americans; Honor the Earth protests the Sandpiper Pipeline; review o...
by David McGee
 

 
 

All In Good Time: Scott Miller’s Rock and Roll

Contributing editor CHRISTOPHER HILL offers an appreciation and appraisal of the late SCOTT MILLER's 'gracious and nourishing, even ennobling' rock 'n' roll.
by David McGee
 

 

 

Traveling Upwards to That Glorious Place

DOYLE LAWSON & QUICKSILVER rejoice all the way through BURDEN BEARER, bluegrass gospel delivered with conviction and authority, with and without instruments.
by David McGee
 

 
 

A Hoot For The Age

The hootenanny lives! Banjo master/educator Bill Evans’s In Good Company has that feel of an informal gathering of musicians playing exactly what they want to play, complementing each other to a T and having a great time doin...
by David McGee
 

 

 

Angels We Have Heard on High

DANCING DAY: MUSIC FOR CHRISTMAS, the last recording JOHN SCOTT made with the SAINT THOMAS CHOIR OF MEN & BOYS before his tragic death this past August, is a reverent seasonal classic.
by David McGee
 

 
 

France’s Ever-Visceral Harpsichord Legacy

'These are not performances that conjure ghosts of the past: harpsichordist ADAM PEARL reveals that this music lives as viscerally today as it did two-and-a-half centuries ago.
by David McGee
 

 

 

Kathleen Edwards Returns, Triumphantly and With Animals

KATHLEEN EDWARDS returns from a lengthy, self-imposed sabbatical to reclaim the high singer-songwriter ground she conquered in 2003. Her new album, TOTAL FREEDOM, says much about where she's been, and memorably so. A dog, and b...
by David McGee
 

 
 

Planting Seeds in The Wild

Trumpian turbulence and an inner spiritual journey fuel CARY MORIN's arresting new collection of solo acoustic fingerpicked beauties, including a triumphant anthem for the Standing Rock protests.
by David McGee