Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Love in The Medici Court

From fragments of the earliest known operas as performed at the Medici court in Florence, Italy, RAPHAEL PICHON has assembled a fresh, passionate whole--a celebration of love--in the two-CD set, STRAVAGANZA D'AMORE.
by David McGee
 

 
 

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 

 

Evoking Afternoons in 17th Century Hereford

Composer Matthew Locke was born 400 years ago this year, and to mark this occasion the British viol consort FRETWORK are marking the happy occasion with an album featuring seven of Locke's suites that have hitherto barely made ...
by David McGee
 

 
 

The Indefatigable George McPhee

The PAISLEY ABBEY CHOIR, with Director GEORGE. MCPHEE, offers the first outstanding choral album of 2021 in A CELTIC PRAYER, a program of choral and organ pieces by Scottish composers of contemporary and 20th Century Scottish s...
by David McGee
 

 

 

Intimate and Finely Judged

The mystery of ORLANDO BLOOM's 17th Century consort anthems persists, but his work lives anew and in beauty in CHAINS OF GOLD by the MAGDALENA CONSORT, FRETWORK and HIS MAJESTYS SAGBUTTS and CORNETTS
by David McGee
 

 
 

Engaging Piazzolla, With Flair

Clasically trained, the LONDON TANGO QUINTET brings elegance and improvisatory freedom to a tango tribute.
by David McGee
 

 

 

Dramatic, Innovative, Profoundly Moving

The first recording of JAMES MACMILLAN's examination of the events following Christ's crucifixion, SINCE IT WAS THE DAY OF PREPARATION, is a triumph.
by David McGee
 

 
 

Catherine (of Aragon) and Henry (VIII) Dancing? Imagine!

The ROSE CONSORT OF VIOLS, with mezzo-soprano CLARE WILKINSON, are dazzling on a new disc of music drawn from some of the earliest manuscripts surviving from the turn of the 16th Century.
by David McGee