Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives
Randall Scotting Divine Impresario cover

The Golden Era of a Castrato Sensation

Nicolini, the first major castrato to sing in London, is given an engaging tribute by Randall Scotting written for the 18th century castrato sensation
by David McGee
 
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Classical Perspectives

‘Serious, Fascinating, Independent’

On ENTANGLED FORTUNES, the RED NOTE ENSEMBLE does justice to five major chamber pieces written by Scottish composer EDDIE MCGUIRE. Classical editor ROBERT HUGILL weighs in on a fine album.
by David McGee
 
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Classical Perspectives

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 
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Classical Perspectives

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.
by David McGee
 
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Classical Perspectives

An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.
by David McGee
 
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Spotlight Album

Intimate and Finely Judged

The mystery of ORLANDO BLOOM's 17th Century consort anthems persists, but his work lives anew and in beauty in CHAINS OF GOLD by the MAGDALENA CONSORT, FRETWORK and HIS MAJESTYS SAGBUTTS and CORNETTS
by David McGee
 
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Classical Perspectives

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 
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Classical Perspectives

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 
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