Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 

 
 

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.
by David McGee
 

 

 

Engaging Piazzolla, With Flair

Clasically trained, the LONDON TANGO QUINTET brings elegance and improvisatory freedom to a tango tribute.
by David McGee
 

 
 

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 

 

 

Pure, Unrepeatable Magic

In 1938 SHAKESPEARE and RALPH VAUGHAN WILLIAMS met in music, now restored to our ears.
by David McGee
 

 
 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee
 

 

 

Harpsichord In a New World

MAHAN ESFAHANI continues to break new ground for the harpsichord on his latest CD, TIME PRESENT AND TIME PAST. Review by ROBERT HUGILL.
by David McGee
 

 
 

Feeling Nature’s Rhythms, Mystery and Spiritual Beauty

A sequence of nine evocative, often poignant solo piano pieces by the young Scottish composer/pianist Alexander Chapman Campbell, inspired by a walk through Norwegian mountains
by David McGee
 

 

 

New Version of Ukrainian Carol Supports Refugee Center

A joint effort by composer ROXANNA PANUFNIK and Signum Classics to raise funds for the U.K.-based REFUGEE CENTER
by David McGee