‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 
 

Feeling Nature’s Rhythms, Mystery and Spiritual Beauty

A sequence of nine evocative, often poignant solo piano pieces by the young Scottish composer/pianist Alexander Chapman Campbell, inspired by a walk through Norwegian mountains
by David McGee
 

 

 

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 

 
 

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 

 

 

Catherine (of Aragon) and Henry (VIII) Dancing? Imagine!

The ROSE CONSORT OF VIOLS, with mezzo-soprano CLARE WILKINSON, are dazzling on a new disc of music drawn from some of the earliest manuscripts surviving from the turn of the 16th Century.
by David McGee
 

 
 

‘Serious, Fascinating, Independent’

On ENTANGLED FORTUNES, the RED NOTE ENSEMBLE does justice to five major chamber pieces written by Scottish composer EDDIE MCGUIRE. Classical editor ROBERT HUGILL weighs in on a fine album.
by David McGee
 

 

 

Feeling Nature’s Rhythms, Mystery and Spiritual Beauty

So Scottish composer/pianist ALEXANDER CHAPMAN CAMPBELL went for a long walk through Norway and lo! A beautiful album materialized...
by David McGee
 

 
 

A Fresh Perspective on the ‘African Mahler’

CATALYST QUARTET, a young American ensemble, explores the chamber music of SAMUEL COLERIDGE-TAYLOR, works whose sophistication belies their early date
by David McGee
 

 

 

The Mesmerizing World of Music in 16th Century Convents

The mysterious world of 16th century convent music comes alive in MUSICAL SECRETA's LUCREZIA BORGIA'S DAUGHTER, comprised of motets published anonymously in Venice in 1543.
by David McGee