Deep Roots Magazine

 
 

 
Classical Perspectives

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee
 
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Classical Perspectives

Beauty, Ease and Contemplation in Equal Measure

Beautiful and moving, this recording of song cycles by JONATHAN DOVE, rendered with sensitivity and passion by MARY WHATELY, draws on poems by the likes of EDNA ST. VINCENT MILLAY.
by David McGee
 
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Classical Perspectives

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 
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Classical Perspectives

Harpsichord In a New World

MAHAN ESFAHANI continues to break new ground for the harpsichord on his latest CD, TIME PRESENT AND TIME PAST. Review by ROBERT HUGILL.
by David McGee
 
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Features / News

New Version of Ukrainian Carol Supports Refugee Center

A joint effort by composer ROXANNA PANUFNIK and Signum Classics to raise funds for the U.K.-based REFUGEE CENTER
by David McGee
 
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Spotlight Album

Love in The Medici Court

From fragments of the earliest known operas as performed at the Medici court in Florence, Italy, RAPHAEL PICHON has assembled a fresh, passionate whole--a celebration of love--in the two-CD set, STRAVAGANZA D'AMORE.
by David McGee
 
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Classical Perspectives

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 
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Classical Perspectives

‘Serious, Fascinating, Independent’

On ENTANGLED FORTUNES, the RED NOTE ENSEMBLE does justice to five major chamber pieces written by Scottish composer EDDIE MCGUIRE. Classical editor ROBERT HUGILL weighs in on a fine album.
by David McGee
 
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Classical Perspectives

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.
by David McGee
 
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