Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 

 
 

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 

 

Fashioning a More Thoughtful World

Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.
by David McGee
 

 
 

Beauty, Ease and Contemplation in Equal Measure

Beautiful and moving, this recording of song cycles by JONATHAN DOVE, rendered with sensitivity and passion by MARY WHATELY, draws on poems by the likes of EDNA ST. VINCENT MILLAY.
by David McGee
 

 

 

Klezmer? Gypsies? Schubert? Yes!

Schubert's classic C Major Quintet re-invented by ZRI, a Hungarian klezmer band, in a revelatory performance following the group's acclaimed 2014 gypsy interpretations of Brahms's music
by David McGee
 

 
 

The Latinate Cello

On the enticing ALVORADO, OPHELIE GAILLARD, better known as a baroque and classical cellist, convincingly performs a wide variety of Spanish and Latin American music by Piazzolla, Jobim, Villa Lobos and other greats.
by David McGee
 

 

 

Robert Hugill’s Classical Christmas Evergreens

ROBERT HUGILL'S CLASSICAL CHRISTMAS is a collection of must-read reviews of Classical Yuletide fare, from choral works to small vocal ensembles, as appraised by Mr. Hugill in Deep Roots from 2013 to the present day. All to make...
by David McGee
 

 
 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee