Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Nature as The Ultimate Matchmaker

THE NORTH WIND WAS A WOMAN, comprised of three intriguing chamber works by DAVID BRUCE, features stirring mandolin work by AVI AVITAL. Review by ROBERT HUGILL.
by David McGee
 

 
 

‘Serious, Fascinating, Independent’

On ENTANGLED FORTUNES, the RED NOTE ENSEMBLE does justice to five major chamber pieces written by Scottish composer EDDIE MCGUIRE. Classical editor ROBERT HUGILL weighs in on a fine album.
by David McGee
 

 

 

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 

 
 

The Warmth of Arctic Saxophone

Haunting and beautiful, ARCTIC SAXOPHONE, by Norway's Ola Asdahl Rokkones, is an unforgettable experience.
by David McGee
 

 

 

New Version of Ukrainian Carol Supports Refugee Center

A joint effort by composer ROXANNA PANUFNIK and Signum Classics to raise funds for the U.K.-based REFUGEE CENTER
by David McGee
 

 
 

A Fine Place Worth Fighting For

A passion project about climate change, saxophonist ALISTAIR PENMAN's THE LAST TREE''s music is inspired by the words of Ghandi, Voltaire, Hemingway, Obama and others, and features his instrument solo, overdubbed 14 times.
by David McGee
 

 

 

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 

 
 

Evoking Afternoons in 17th Century Hereford

Composer Matthew Locke was born 400 years ago this year, and to mark this occasion the British viol consort FRETWORK are marking the happy occasion with an album featuring seven of Locke's suites that have hitherto barely made ...
by David McGee