Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives

Echoes From A Distant Time

IN ECHO , an ensemble devoted to 16th and 17th century music, offers MUSIC IN A COLD CLIMATE, a selection of songs from a time when the seafaring nations of Northern Europe were connected culturally and commercially by the Hans...
by David McGee
 
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Classical Perspectives
rameau abba

Strange Magic: Rameau Meets ABBA

Wherein Asya Fateyeva (saxophones) and Lautten Compagney Berlin create magic in teaming Jean-Philippe Rameau with ABBA.
by David McGee
 
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Spotlight Album

Love Remembered, In the Heart and On the Front Lines

In a selection of songs by British composers of the first 50 years of the 20th Century,mezzo-soprano KATHRYN RUDGE, with pianist JAMES BAILLIEU, uncover some lost gems and revitalize familiar ones.
by David McGee
 
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Classical Perspectives

The Indefatigable George McPhee

The PAISLEY ABBEY CHOIR, with Director GEORGE. MCPHEE, offers the first outstanding choral album of 2021 in A CELTIC PRAYER, a program of choral and organ pieces by Scottish composers of contemporary and 20th Century Scottish s...
by David McGee
 
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Classical Perspectives

An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.
by David McGee
 
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Features / News

The Deep Roots Elite Half-Hundred of 2017 (Part 2)

Part 2 of the Elite Half-Hundred of 2017 features albums by JUNIOR SISK & THE RAMBLERS, DENNIS JOHNSON, DUDLEY TAFT, MUSICA SECRETA, RAPHAEL PICHON & PYGMALION, MAC WISEMAN and others.
by David McGee
 
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Classical Perspectives

A Fine Place Worth Fighting For

A passion project about climate change, saxophonist ALISTAIR PENMAN's THE LAST TREE''s music is inspired by the words of Ghandi, Voltaire, Hemingway, Obama and others, and features his instrument solo, overdubbed 14 times.
by David McGee
 
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Spotlight Album

A Fresh Perspective on the ‘African Mahler’

CATALYST QUARTET, a young American ensemble, explores the chamber music of SAMUEL COLERIDGE-TAYLOR, works whose sophistication belies their early date
by David McGee
 
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