Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives

A Fine Place Worth Fighting For

A passion project about climate change, saxophonist ALISTAIR PENMAN's THE LAST TREE''s music is inspired by the words of Ghandi, Voltaire, Hemingway, Obama and others, and features his instrument solo, overdubbed 14 times.
by David McGee
 
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Spotlight Album

Delightfully Evocative, Simply Beautiful

ARMONICO CONSORT, under the direction of CHRISTOPHER MONKS, delivers beauty, respite and spiritual transcendence on GREENSLEEVES: FOLK MUSIC OF THE BRITISH ISLES.
by David McGee
 
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Spotlight Album

Love Remembered, In the Heart and On the Front Lines

In a selection of songs by British composers of the first 50 years of the 20th Century,mezzo-soprano KATHRYN RUDGE, with pianist JAMES BAILLIEU, uncover some lost gems and revitalize familiar ones.
by David McGee
 
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Classical Perspectives

Of Heartbreak and Loss, 17th Century-Style

Countertenor RANDALL SCOTTING and lutenist STEPHEN STUBBS expressively offer songs of heartbreak and loss from yore.
by David McGee
 
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Classical Perspectives

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 
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Classical Perspectives

Dramatic, Innovative, Profoundly Moving

The first recording of JAMES MACMILLAN's examination of the events following Christ's crucifixion, SINCE IT WAS THE DAY OF PREPARATION, is a triumph.
by David McGee
 
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Classical Perspectives

Magnificent Original

Conductor VLADIMIR JUROWSKI leads the State Academic Orchestra of Russia through a memorable performance of TCHAIKOVSKY's 1877 version of SWAN LAKE.
by David McGee
 
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Spotlight Album

Fashioning a More Thoughtful World

Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.
by David McGee
 
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