Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 
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Classical Perspectives

Music of Friendships and Collaborations

Diverse at first, this disc makes a highly satisfying whole, linked together by the threads of the SACCONI's connection to composer JONATHAN DOVE. Herein an informed appraisal courtesy ROBERT HUGILL.
by David McGee
 
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Spotlight Album

Delightfully Evocative, Simply Beautiful

ARMONICO CONSORT, under the direction of CHRISTOPHER MONKS, delivers beauty, respite and spiritual transcendence on GREENSLEEVES: FOLK MUSIC OF THE BRITISH ISLES.
by David McGee
 
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Classical Perspectives

Engaging Piazzolla, With Flair

Clasically trained, the LONDON TANGO QUINTET brings elegance and improvisatory freedom to a tango tribute.
by David McGee
 
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Classical Perspectives

Dramatic, Innovative, Profoundly Moving

The first recording of JAMES MACMILLAN's examination of the events following Christ's crucifixion, SINCE IT WAS THE DAY OF PREPARATION, is a triumph.
by David McGee
 
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Classical Perspectives

Beauty, Ease and Contemplation in Equal Measure

Beautiful and moving, this recording of song cycles by JONATHAN DOVE, rendered with sensitivity and passion by MARY WHATELY, draws on poems by the likes of EDNA ST. VINCENT MILLAY.
by David McGee
 
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Spotlight Album

Love in The Medici Court

From fragments of the earliest known operas as performed at the Medici court in Florence, Italy, RAPHAEL PICHON has assembled a fresh, passionate whole--a celebration of love--in the two-CD set, STRAVAGANZA D'AMORE.
by David McGee
 
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Spotlight Album

Fashioning a More Thoughtful World

Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.
by David McGee
 
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