Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 

 
 

Classical Perspectives: Richly Sophisticated

In life he was eclipsed by the shadow of his great pupil, Henry Purcell, and ensuing centuries have seen the 17th century composer JOHN BLOW nigh on to completely forgotten. Until this glorious moment.
by David McGee
 

 

 

Blustery Days? Only Enchantment Here.

Enchanted Places: The Complete Fraser-Simpson Settings of A.A. Milne, joins the burgeoning portfolio of Milne poems set to music.
by David McGee
 

 
 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee
 

 

 

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 
 

Echoes From A Distant Time

IN ECHO , an ensemble devoted to 16th and 17th century music, offers MUSIC IN A COLD CLIMATE, a selection of songs from a time when the seafaring nations of Northern Europe were connected culturally and commercially by the Hans...
by David McGee
 

 

 

The Latinate Cello

On the enticing ALVORADO, OPHELIE GAILLARD, better known as a baroque and classical cellist, convincingly performs a wide variety of Spanish and Latin American music by Piazzolla, Jobim, Villa Lobos and other greats.
by David McGee
 

 
 

Fashioning a More Thoughtful World

Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.
by David McGee