Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee
 
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Classical Perspectives

Music of Friendships and Collaborations

Diverse at first, this disc makes a highly satisfying whole, linked together by the threads of the SACCONI's connection to composer JONATHAN DOVE. Herein an informed appraisal courtesy ROBERT HUGILL.
by David McGee
 
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Classical Perspectives
Randall Scotting Divine Impresario cover

The Golden Era of a Castrato Sensation

Nicolini, the first major castrato to sing in London, is given an engaging tribute by Randall Scotting written for the 18th century castrato sensation
by David McGee
 
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Classical Perspectives

A Composer Reclaims His Faith

Classical editor ROBERT HUGILL considers CALUM BUILDER's 'Messe (You Are Where You Want to Be), a work which deconstructs the Latin mass to explore the composer's own journey, deconstructing and reconstructing his relationship ...
by David McGee
 
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Spotlight Album

Intimate and Finely Judged

The mystery of ORLANDO BLOOM's 17th Century consort anthems persists, but his work lives anew and in beauty in CHAINS OF GOLD by the MAGDALENA CONSORT, FRETWORK and HIS MAJESTYS SAGBUTTS and CORNETTS
by David McGee
 
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Classical Perspectives

Evoking Afternoons in 17th Century Hereford

Composer Matthew Locke was born 400 years ago this year, and to mark this occasion the British viol consort FRETWORK are marking the happy occasion with an album featuring seven of Locke's suites that have hitherto barely made ...
by David McGee
 
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Classical Perspectives

Blustery Days? Only Enchantment Here.

Enchanted Places: The Complete Fraser-Simpson Settings of A.A. Milne, joins the burgeoning portfolio of Milne poems set to music.
by David McGee
 
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Classical Perspectives

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 
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