Celebrating the Stanford Centenary

Of Heartbreak and Loss, 17th Century-Style

Countertenor RANDALL SCOTTING and lutenist STEPHEN STUBBS expressively offer songs of heartbreak and loss from yore.

by David McGee

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Dramatic, Innovative, Profoundly Moving

The first recording of JAMES MACMILLAN's examination of the events following Christ's crucifixion, SINCE IT WAS THE DAY OF PREPARATION, is a triumph.

by David McGee

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Intimate and Finely Judged

The mystery of ORLANDO BLOOM's 17th Century consort anthems persists, but his work lives anew and in beauty in CHAINS OF GOLD by the MAGDALENA CONSORT, FRETWORK and HIS MAJESTYS SAGBUTTS and CORNETTS

by David McGee

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The Mesmerizing World of Music in 16th Century Convents

The mysterious world of 16th century convent music comes alive in MUSICAL SECRETA's LUCREZIA BORGIA'S DAUGHTER, comprised of motets published anonymously in Venice in 1543.

by David McGee

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Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.

by David McGee

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A Fresh Perspective on the ‘African Mahler’

CATALYST QUARTET, a young American ensemble, explores the chamber music of SAMUEL COLERIDGE-TAYLOR, works whose sophistication belies their early date

by David McGee

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Aethereal Beauties: Vox Clamantis Celebrates Arvo Pärt @90

Honoring composer Arvo Pärt's 90th birthday, VOX CLAMANTIS, conducted by JAAN-ELK TULVE, offers aetherial beauties from the Pärt oeuvre in And I heard a voice... Review by ROBERT HUGILL.

by David McGee

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Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.

by David McGee

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