Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.
by David McGee
 

 
 

Of Love, Loss, Chivalry & Memory

Christine de Pisan, whose work touched on every aspect of courtly life, from romantic poetry to military strategy and feminist critiques of the position of women in society, has inspired Blondel's new work of late Medieval wind...
by David McGee
 

 

 

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 
 

Love Remembered, In the Heart and On the Front Lines

In a selection of songs by British composers of the first 50 years of the 20th Century,mezzo-soprano KATHRYN RUDGE, with pianist JAMES BAILLIEU, uncover some lost gems and revitalize familiar ones.
by David McGee
 

 

 

The Deep Roots Elite Half-Hundred of 2017 (Part 2)

Part 2 of the Elite Half-Hundred of 2017 features albums by JUNIOR SISK & THE RAMBLERS, DENNIS JOHNSON, DUDLEY TAFT, MUSICA SECRETA, RAPHAEL PICHON & PYGMALION, MAC WISEMAN and others.
by David McGee
 

 
 

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.
by David McGee
 

 

 

Feeling Nature’s Rhythms, Mystery and Spiritual Beauty

A sequence of nine evocative, often poignant solo piano pieces by the young Scottish composer/pianist Alexander Chapman Campbell, inspired by a walk through Norwegian mountains
by David McGee
 

 
 

Fashioning a More Thoughtful World

Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.
by David McGee