Nature as The Ultimate Matchmaker

THE NORTH WIND WAS A WOMAN, comprised of three intriguing chamber works by DAVID BRUCE, features stirring mandolin work by AVI AVITAL. Review by ROBERT HUGILL.
by David McGee
 

 
 

Of Heartbreak and Loss, 17th Century-Style

Countertenor RANDALL SCOTTING and lutenist STEPHEN STUBBS expressively offer songs of heartbreak and loss from yore.
by David McGee
 

 

 

An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.
by David McGee
 

 
 

Intimate and Finely Judged

The mystery of ORLANDO BLOOM's 17th Century consort anthems persists, but his work lives anew and in beauty in CHAINS OF GOLD by the MAGDALENA CONSORT, FRETWORK and HIS MAJESTYS SAGBUTTS and CORNETTS
by David McGee
 

 

 

Of Love, Loss, Chivalry & Memory

Christine de Pisan, whose work touched on every aspect of courtly life, from romantic poetry to military strategy and feminist critiques of the position of women in society, has inspired Blondel's new work of late Medieval wind...
by David McGee
 

 
 

Robert Hugill’s Classical Christmas Evergreens

ROBERT HUGILL'S CLASSICAL CHRISTMAS is a collection of must-read reviews of Classical Yuletide fare, from choral works to small vocal ensembles, as appraised by Mr. Hugill in Deep Roots from 2013 to the present day. All to make...
by David McGee
 

 

 

Echoes From A Distant Time

IN ECHO , an ensemble devoted to 16th and 17th century music, offers MUSIC IN A COLD CLIMATE, a selection of songs from a time when the seafaring nations of Northern Europe were connected culturally and commercially by the Hans...
by David McGee
 

 
 

Delightfully Evocative, Simply Beautiful

ARMONICO CONSORT, under the direction of CHRISTOPHER MONKS, delivers beauty, respite and spiritual transcendence on GREENSLEEVES: FOLK MUSIC OF THE BRITISH ISLES.
by David McGee
 

 

 

A Composer Reclaims His Faith

Classical editor ROBERT HUGILL considers CALUM BUILDER's 'Messe (You Are Where You Want to Be), a work which deconstructs the Latin mass to explore the composer's own journey, deconstructing and reconstructing his relationship ...
by David McGee