Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Staying the Course

On CARTER STANLEY'S EYES, PETER ROWAN journeys into his deepest roots in bluegrass and folk. That's what happens when you stick with it.
by David McGee
 

 
 

Ever Fresh: A Half-Century of ‘Green Onions’

In honor of the 50th anniversary of ‘Green Onions,’ we salute BOOKER T. & THE M.G.s’ reissued debut album of the same name, along with the group’s reissued-remastered 1970 Beatles tribute, McLemore Avenue, all-instrumen...
by David McGee
 

 

 

Of Secret Smiles and Unfinished Symphonies

RED RIVER DRIFTER may be MICHAEL MARTIN MURPHEY'S best yet. He's singing love songs again, but love songs of a different stripe, examining the emotion in all its complexity.
by David McGee
 

 
 

Existential Bluegrass

Bluegrass existentialists THE ROYS are back with THE VIEW, comprised of songs pondering the burden of memory as time marches on, along with philosophical appraisals of quotidian troubles and joys.
by David McGee
 

 

 

Feeling The Vibrations

Post-Kronos Quartet, cellist Joan Jeanrenaud has created one compelling solo work after another. Her latest, VISUAL MUSIC, delivers an unusual range of emotional wallops, says reviewer DERK RICHARDSON.
by David McGee
 

 
 

Timeless Gospel Messages Delivered in New Ways

MICHELLE DAVID is a gospel dynamo, and she's outdone herself, again, with THE GOSPEL SESSIONS VOL. 2. Bob Marovich weighs in one on of 2017's finest new CD releases.
by David McGee
 

 

 

The Dark Saint Rises

A genuine Statement record, IVY FORD's CLUB 27 finds the gifted Chicago-based blues artist-singer, songwriter, multi-instrumentalist--coming into her own in a powerful way. One of the year's best here.
by David McGee
 

 
 

Dynamic Duos

Hotter than hot: new duo albums teaming MIKE ZITO with ALBERT CASTIGLIA, and ARLEN ROTH with JERRY JEMMOTT, Rock 'n' roll, classic soul and blues to burn.
by David McGee
 

 

 

That Swingin’ Little Guitar Man

Carl Perkins recalled a show he played in Atlanta in 1958 at which he was visited backstage by a young fellow who came with guitar in hand and introduced himself as Jerry Hubbard. The two pickers engaged each other in a couple ...
by David McGee