The early struggles and ultimate triumph of the FISK JUBILEE SINGERS, as reported by JAMES M. TROTTER in his 1878 book profiling 'remarkable musicians of the colored race.'
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In his Memoirs, published in 1896, composer CHARLES GOUNOD reflected on the exalted heights PALESTRINA and MICHELANGELO reached in their respective arts and the points of similarity between the two geniuses.
'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
Pauline Garcia Viardot (1821-1910) was one of the 19th century’s most versatile and influential opera stars. In his book 'Musical Memories,' CAMILLE SAINT-SAENS provides the most in-depth profile extant of Mme. Viardot.
From his 1899 book FAMOUS VIOLINISTS OF TO-DAY AND YESTERDAY, HENRY C. LAHEE offers a balanced profile of Norway's violin virtuoso OLE BULL, replete with musical excerpts.
In his monumental ANATOMY OF MELANCHOLY, published in 1621, ROBERT BURTON argued for, among other things, music as a remedy for melancholy. It might work.