Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

‘There’s something going on in civilization which is coming at us with great vehemence’

AT&T asked one of the great filmmakers of our time, WERNER HERZOG, to film a PSA on the dangers of texting while driving for its 'It Can Wait' campaign. Watch it here, and take heed.
by David McGee
 

 
 

Animals Making The Case For Neko—And Vice Versa

It's not enough to be one of our finest singer-songwriters; NEKO CASE is also a veteran vocal advocate of animal welfare issues. She explains her raison d'etre to DUNCAN STRAUSS in another stellar TA installment.
by David McGee
 

 

 

Tartit: Tuareg Life Through a Woman’s Eyes

TARTIT, the female ambassadors of Tuareg traditional culture, return from a prolonged absence with messages of peace and social cohesion for all cultures on Amankour/The Exile
by David McGee
 

 
 

They Made Me a Criminal (1939)

Now showing: THEY MADE ME A CRIMINAL, the 1939 Busby Berkeley-directed drama of a boxer on the run starring JOHN GARFIELD, THE DEAD END KIDS, CLAUDE RAINS and the ill-fated GLORIA DICKSON. Also: More Busby Berkeley, plus GOOFY'...
by David McGee
 

 

 

Do You Believe in Magic?

A recently unveiled 45-year-old tape recorded in a tiny Milwaukee club in 1968 gives us a powerhouse live performance by MAGIC SAM in prime-time mode, both in voice and with his guitar, on LIVE AT THE AVANT GARDE.
by David McGee
 

 
 

Open Up the Doors

Flow down Grace: Is REGINA VANDEREIJK (born in North Carolina, now residing in Gouda, Netherlands) the future of gospel? Her first album, THE LORD IS THERE, raises the question.
by David McGee
 

 

 

Universal Truths

NOAM PIKELNY steps away from the PUNCH BROTHERS for his fourth solo album, UNIVERSAL TRUTH; and the truth is, it's just Noam, his instruments, his voice, and it's great.
by David McGee
 

 
 

Rossini on Rossini, Byron on Rossini

From his 1886 book From Mozart to Marvio V1: Reminiscences of a Half Century, Louis Engel discloses the composer Giochino Rossini's slightly jaundiced view of his own legacy; in correspondence to two friends in 1818, Lord Byron...
by David McGee