Deep Roots Magazine - Roots Music and Meaningful Matters

Hard, Stomping and Merciless

Out of Seattle with a Chicago mindset and some southwestern sizzle, RJ Knapp & Honey Robin offer hard, stomping, merciless urban blues on Don't Blame the Dynamite..If You Can't Light the Fuse.

by David McGee

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On her vaunted new album, Mission, CECILIA BARTOLI (this is her--really, it is) fashions the music of Agostino Steffani into a conceptual work brimming with passion, politics and intrigue. It is the opera great’s finest hour.

by David McGee

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Animals Making The Case For Neko—And Vice Versa

It's not enough to be one of our finest singer-songwriters; NEKO CASE is also a veteran vocal advocate of animal welfare issues. She explains her raison d'etre to DUNCAN STRAUSS in another stellar TA installment.

by David McGee

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‘It Must Have Been the Mistletoe’: Mandrell Knew It Was Cool Before It Was Cool

"It Must Have Been the Mistletoe,' written by JUSTIN WILDE and DOUG KONECKY, has become a contemporary seasonal standard, but it wasn't an easy sell. The story behind the song follows.

by David McGee

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In the Mist of a Memory

86-year-old BOYD LEE DUNLOP survives a near-fatal heart attack to triumph on his second album, THE LAKE REFLECTIONS, a collection of solo piano improvisations.

by David McGee

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Dispatches From Solitude

Forced into isolation by the pandemic, JOHN McCUTCHEON began writing songs, and more songs, came up with a moving tribute to front line workers and to his friend John Prine, found some humor in his plight, and voila! CABIN FEVE...

by David McGee

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‘Our Spirit Refuses to Die’: Declaring A National Day of Mourning

The story of the National Day of Mourning marked by Native Americans on the fourth Thursday of November begins in November 1970, the 350th anniversary of 'the first Thanksgiving,' with the suppressed speech of Wamsutta (Frank B...

by David McGee

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Feeling The Vibrations

Post-Kronos Quartet, cellist Joan Jeanrenaud has created one compelling solo work after another. Her latest, VISUAL MUSIC, delivers an unusual range of emotional wallops, says reviewer DERK RICHARDSON.

by David McGee

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