After dazzling the opera world on stage last year, Belgium's SONYA YONCHEVA is doing it on record, with her debut album, PARIS, MON AMOUR--a different sort of French connection. Also: TRIO MEDIAEVAL.
CLARA SANABRAS has adapted SHAKESPEARE'S 'THE TEMPEST' into an operatic production and, now, a concept album with Britten Sinfonia and others. It's a beauty. ROBERT HUGILL reviews.
NASA's Chandra X-ray Observatory has uncovered surprising news about a process that is stifling star formation in a distant galaxy cluster. It's been going on for 7 billion years.
On his new disc, DANIEL GRIMWOOD offers the piano works of ADOLF VON HENSELT, a forgotten master whose music 'breathes the same air as that of Chopin and Liszt,' says ROBERT HUGILL.
Updated for Year II of the pandemic, 'Seven Voices on Seven Stanzas' presents a septet of viewpoints on the meaning and import of JOHN UPDIKE's provocative poem, 'Seven Stanzas at Easter.' Featuring Easter-themed videos by DOLL...
CARLENE CARTER's new album 'Carter Girl,' a tribute to the musical heritage of her fabled family, is a triumph, says contributing editor MICHAEL SIGMAN. 'I wanted listeners to feel like they're on a journey,' says Carlene.
Although Claire Lynch’s exceptional Compass label debut, Dear Sister, was released at the end of May, at the height of Spring, it has the reflective, contemplative feel of an autumnal missive.
RORY BLOCK returns in celebration of "power women of song" on AIN'T NOBODY WORRIED--a thoroughly captivating outpouring of signature songs by female artists from the '60s through the '80sl
SHAKESPEARE didn't give Hamlet's Ophelia near the complexity and substance HANS ABRAHAMSEN and BARBARA HANNIGAN bring to her character in LET ME TELL YOU.
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