Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

A Woody Guthrie Centennial Moment: Woody and Moses

Folkways founder MOSES ASCH regarded WOODY GUTHRIE as a meaningful artist, but Woody's undisciplined ways agitated him. A look at how two strong personalities meshed during a period when Woody recorded his most important music.
by David McGee
 

 
 

Hope Is the Thing With Feathers

As birds go, so goes humanity. Three nominally classical albums poetically address the looming threats to the natural world.
by David McGee
 

 

 

In The Realm of The Elusive Butterfly

Darwin overlooked butterflies, Nabokov loved them, and author WENDY WILLIAMS did a deep dive into the butterfly kingdom and came out with an entertaining and informative perspective on a most unusual insect.
by David McGee
 

 
 

Between Rock and a Traditional Place

Lisa Matassa's impressive EP Somebody's Baby is not for country traditionalist, but fans of contemporary arena-style mainstream country will find much to admire in the rock-fueled anthems, but there is evidence here of a sensit...
by David McGee
 

 

 

The Passionate Style

Italian composer, gambist, and singer Claudio Giovanni Monteverdi is often regarded as revolutionary in that his work marked the transition from the Renaissance style of music to that of the Baroque period. He developed two ind...
by David McGee
 

 
 

‘Perhaps the Richest Body of Stories by Any North American Writer of His Generation’

THE LIBRARY OF AMERICA is publishing a two-volume set of John Updike's Collected Stories. CHRISTOPHER CARDUFF, the estate-appointed editor of Updike's posthumous publications, discusses the project.
by David McGee
 

 

 

My Own Field Trip

A field trip with her students to Hawaii's Hoa 'Aina O Makaha reminds TOUTKA WONGSE-ONT of some eternal truths about nature--strong, spontaneous feelings that nonliving things could not evoke.
by David McGee
 

 
 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee