Love Is a Many-Splintered Thing

Herein a dozen smokey, sensuous and often ambivalent discourses on love and passion delivered with the breathy tenderness and sublime understatement of someone defining love not as a many-splendored thing, but rather as a many-...
by David McGee
 

 
 

A Spasmodic Active Region on the Sun…

Ol' Sol has been putting on a show lately, with a dazzling variety of dozens of spurts and eruptions and an equally dazzling magnetic display known as coronal rain.
by David McGee
 

 

 

99 RIVER STREET (1953)

99 RIVER STREET is a forgotten gem of the film noir genre. Directed by PHIL KARLSON and starring JOHN PAYNE and EVELYN KEYES, it foreshadows Raging Bull.
by David McGee
 

 
 

A Visit with Author/Illustrator Kristi Valiant

JULES chats with author/illustrator KRISTI VALIANT, whose new book PENGUIN CHA-CHA is picking up rave reviews everywhere.
by David McGee
 

 

 

A Final Flowering

ANONYMOUS 4 is closing out its near-30-year career with one of its finest albums, 1865--SONGS OF HOPE AND HOME FROM THE AMERICAN CIVIL WAR, the final installment of its Americana Trilogy.
by David McGee
 

 
 

Timeless Enya, for All Seasons

Irish enchantress Enya has offered not a Christmas album, but rather an album-length meditation on the Yuletide season, its sound, its totems, its joys, its summons to reflection and introspection.
by David McGee
 

 

 

Swingin’ and A-Surfin’, All Summer Long

SUMMER BEACH PARTY offers 19 examples of the music featured in various Beach Party-style movies in the '60s. Not to worry--for every FRANKIE AVALON, there's two DICK DALES, or THE ASTRONAUTS, or JAN AND DEAN, or THE BEACH BOYS...
by David McGee
 

 
 

The Beach Girls and The Monster (1965)

A lost beach classic is headlining at Deep Roots Theater: THE BEACH GIRLS AND THE MONSTER, with music by Frank Sinatra Jr. Also: Felix the Cat in 'April Maze' (1930)
by David McGee
 

 

 

LURED (1947)

LUCILLE BALL, GEORGE SANDERS, BORIS KARLOFF, GEORGE ZUCCO and CEDRIC HARDWICKE head a stellar ensemble cast in DOUGLAS SIRK's semi-comedic film noir gem from 1947.
by David McGee