Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

James Cotton, Fully Present

Cancer has robbed him of his singing voice but not his spirit or his ability to play blues harp like no else around. At age 77, JAMES COTTON is going strong, as his new album attests. Review by BILL DAHL.
by David McGee
 

 
 

Country, Western & Madeleine

CONNIE SMITH, HILARY GARDNER and MADELEINE PEYROUX make beautiful music.
by David McGee
 

 

 

Exuding the Joy of Connection Through Music

FRANCESCA DEGO's exceptional album of concerti by NICCOLO PAGANINI and ERMANNO WOLF-FERRARI merits an exceptional review by JOSEPH NEWSOME
by David McGee
 

 
 

Enter, And Feel the Spirit

Soaring emotions and exquisite quartet harmonizing abound on TRAVELIN' SHOES, a foray into southern gospel (with a stop along the way at western gospel!) by the redoubtable MARLEY'S GHOST
by David McGee
 

 

 

Love Remembered, In the Heart and On the Front Lines

In a selection of songs by British composers of the first 50 years of the 20th Century,mezzo-soprano KATHRYN RUDGE, with pianist JAMES BAILLIEU, uncover some lost gems and revitalize familiar ones.
by David McGee
 

 
 

Believe

Being about the moment and the moment far ahead, BILL CURRERI's HARD ROAD HOME sends a message of buoyant self-realization at a time when it's most needed.
by David McGee
 

 

 

To Do More, To Be More

After a near-20-year absence, LITTLE STEVEN has returned with a new solo album, SOULFIRE. Rock 'n' soul don't get any better than this. All others are pretenders to the throne.
by David McGee
 

 
 

Tested In the Furnace of Affliction

SAM BUTLER, former lead guitarist with the Blind Boys of Alabama, makes his solo debut with a most unusual spiritual album--with songs by Springsteen, Waits, Curtis Mayfield, Johnny Cash, et al.
by David McGee
 

 

 

The Mystery Endures

MELODY GARDOT's brilliant CURRENCY OF MAN, finds this unique artist on intimate terms with 'chaos at any moment.' Dark, but empathetic, the new CD is all that, and more.
by David McGee