Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Thoughts That Lie Too Deep for Tears

Two very different artists make two very different albums but still manage to cross paths. What do KENNY LAVENDER and his big band have in common with LAWRENCE BLATT and his guitar?
by David McGee
 

 
 

Going Mobile

Marty Raybon might well want to consider re-titling his album Southern Routes & Branches, given how many roads he travels in its dozen songs. To be clear, some of these roads he’s traveled before—nine of the songs are c...
by David McGee
 

 

 

It Starts With The Heart

Another triumph for MARK O'CONNOR, but this time he's sharing the spotlight with his ferociously talented new bride, MAGGIE O'CONNOR, on DUO.
by David McGee
 

 
 

(Much) More To Come…

One of the finest contemporary bluegrass bands around is cementing its reputation as same during this, its 30th anniversary year, with the second of three overviews of each decade of its productive existence. Like Volume One, V...
by David McGee
 

 

 

With a Swagger and A Wink

CHRIS LEIGH wouldn’t be the first hard-core country artist to attribute a burst of inspiration to a wrecked marriage but he may be the latest. His impressive, bare-knuckled debut, Broken Hearted Friends, tells the tale.
by David McGee
 

 
 

A New Opera for the 21st Century Canon, By Way of Willa Cather

WILLA CATHER'S short story 'Paul's Place' has been transformed into an opera event by GREGORY SPEARKS and KATHRYN WALAT. Our JOSPEH NEWSOME ranks it 'amongst the finest recorded opera performances of the 21st Century.'
by David McGee
 

 

 

Her Songs, Her Voice, Her Guitar…Her Life

On Stage: MARY GAUTHIER came solo acoustic to Hill Country in New York City and mesmerized a near-sellout audience.
by David McGee
 

 
 

Of Secret Smiles and Unfinished Symphonies

RED RIVER DRIFTER may be MICHAEL MARTIN MURPHEY'S best yet. He's singing love songs again, but love songs of a different stripe, examining the emotion in all its complexity.
by David McGee
 

 

 

The Anchor Weighs In

In That's Where it's At, MICHAEL JEROME BROWNE celebrates his long love of pre-war blues and country and blends it with his take on modern pop and soul music, connecting our past with our present in telling a very human story.
by David McGee