Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Off the Beaten Path, As Usual

Exploring America’s blue highways and coming back with songs that have and will endure, some ever-present in our collective memory, some orphaned by time but always primed for adoption by loving practitioners such as these.
by David McGee
 

 
 

The Common Language of the Heart

Tony Bennett and Bill Charlap are together again, now in a relaxed, refined, reflective and altogether classy survey of the songs of Jerome Kern, 'the angel at the top of the tree.'
by David McGee
 

 

 

Places in The Heart

Find yourself in THE UNENDING ALTERATION OF THE HEART if you will, but GABRIELLE LOUISE is addressing herself in unvarnished interior monologues, leading by example in facing head-on hard truths about life, love and loss. Behol...
by David McGee
 

 
 

Hurricane Warning

Almost a half-century into his career. BOBBY 'HURRICANE' SPENCER delivers big-time on 'HURRICANE UNLEASHED,' singing some hard-luck blues but also revealing himself as a true romantic, in spite of heartbreak.
by David McGee
 

 

 

Très engagé E una gioia di vivere (or, You Go, Girl)

Exploring the vagaries of love in French and Italian songs, CATARINA ZAPPONI delivers a seductive gem on ROMANTICA, her first album since 2001 and well worth the wait.
by David McGee
 

 
 

Between Rock and a Traditional Place

Lisa Matassa's impressive EP Somebody's Baby is not for country traditionalist, but fans of contemporary arena-style mainstream country will find much to admire in the rock-fueled anthems, but there is evidence here of a sensit...
by David McGee
 

 

 

Lovely and Unusual

This cozy, gentle, and varied collection of Christmas music from Hereford Cathedral is broken into three sections: Advent, Christmas, and Epiphany. The music ranges from the 14th-century Resonemus laudibus, to a work by John T...
by David McGee
 

 
 

It Takes Two…

Two great Christmas albums emerged in 1964, and one of the artists in question did it again in '69.
by David McGee