Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives
Randall Scotting Divine Impresario cover

The Golden Era of a Castrato Sensation

Nicolini, the first major castrato to sing in London, is given an engaging tribute by Randall Scotting written for the 18th century castrato sensation
by David McGee
 
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Classical Perspectives

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 
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Classical Perspectives

Feeling Nature’s Rhythms, Mystery and Spiritual Beauty

A sequence of nine evocative, often poignant solo piano pieces by the young Scottish composer/pianist Alexander Chapman Campbell, inspired by a walk through Norwegian mountains
by David McGee
 
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Classical Perspectives

The Right Touch

FLORENCE PRICE and MAX BRUCH violin concertos memorably interpreted by RANDALL GOOSBY, YANNICK NEZET-SEGUIN and the PHILADELPHIA ORCHESTRA
by David McGee
 
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Classical Perspectives

Lusitano: The First Known Black Composer, Acknowledged With Luminous Clarity

THE MARIAN CONSORT resurrects the Motets of VICENTE LUSITANO, the first known Black composer and a highly regarded 16th Century music theorist.
by David McGee
 
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Classical Perspectives

Border Patrol

On AMERICANO Classical guitar giant PABLO VILLEGAS ranges from Venezuela to Mexico, from Paraguay to the Bayou, from Broadway to the rural South in celebrating the music of all the Americas.
by David McGee
 
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Classical Perspectives

Music of a Forgotten Master

On his new disc, DANIEL GRIMWOOD offers the piano works of ADOLF VON HENSELT, a forgotten master whose music 'breathes the same air as that of Chopin and Liszt,' says ROBERT HUGILL.
by David McGee
 
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Classical Perspectives

Catherine (of Aragon) and Henry (VIII) Dancing? Imagine!

The ROSE CONSORT OF VIOLS, with mezzo-soprano CLARE WILKINSON, are dazzling on a new disc of music drawn from some of the earliest manuscripts surviving from the turn of the 16th Century.
by David McGee
 
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