On ENTANGLED FORTUNES, the RED NOTE ENSEMBLE does justice to five major chamber pieces written by Scottish composer EDDIE MCGUIRE. Classical editor ROBERT HUGILL weighs in on a fine album.
Young violinist RANDALL GOOSBY's debut album, ROOTS, is one of this year's most exciting classical music events. Herewith a sampling of the across-the-board plaudits album and artist alike are receiving for this most striking r...
Christine de Pisan, whose work touched on every aspect of courtly life, from romantic poetry to military strategy and feminist critiques of the position of women in society, has inspired Blondel's new work of late Medieval wind...
Israeli-born mandolinist AVI AVITAL is blurring the classical-folk lines anew with BETWEEN WORLDS, featuring the work of 'classical composers inspired by folk music.'
It was inevitable: after flirting with Bach for his entire professional career, CHRIS THILE has released a solo album of the Baroque giant's Sonatas & Partitas. Reviewer CHRSITINE N. LAYTON hails it as a big winner.
CLARA SANABRAS has adapted SHAKESPEARE'S 'THE TEMPEST' into an operatic production and, now, a concept album with Britten Sinfonia and others. It's a beauty. ROBERT HUGILL reviews.
On PETER AND THE WOLF IN HOLLYWOOD, GIANTS ARE SMALL, with help from ALICE COOPER, offer a clever, charming prequel to SERGEI PROKOFIEV's beloved children's classic from 1936
The PAISLEY ABBEY CHOIR, with Director GEORGE. MCPHEE, offers the first outstanding choral album of 2021 in A CELTIC PRAYER, a program of choral and organ pieces by Scottish composers of contemporary and 20th Century Scottish s...
Composer Matthew Locke was born 400 years ago this year, and to mark this occasion the British viol consort FRETWORK are marking the happy occasion with an album featuring seven of Locke's suites that have hitherto barely made ...