Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives
loves signature

Sounds To Silence The Din of Discord

Three JULIANA HALL-composed songs cycles--based on verses by Shakespeare, Emily Dickinson and Marianne Moore--are masterfully rendered on LOVE'S SIGNATURE.
by David McGee
 
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Reviews
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And For Tomorrow, Too

On Just for Today, Ronnie Earl and the Broadcasters deliver an invigorating set of performances recorded in three venues in three Massachusetts towns
by David McGee
 
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Reviews
jeff healey vintage

Like the Music, He Lives On

JEFF HEALEY, a remarkable artist by any measure, exercised his passion for vintage jazz and swing in his latter years and made memorable music. A new retrospective offers a stirring overview of some peak moments.
by David McGee
 
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Deep Roots Theater
dragstrip riot featured

Dragstrip Riot (1958)

Teenagers gone wild! From 1958, Deep Roots Theater presents DRAGSTRIP RIOT. Featuring generational clashes, mayhem and a kind of rock 'n' roll, with FAY WRAY as the mother, CONNIE STEVENS in her third movie.
by David McGee
 
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Border Crossings
juliavorontsova featured

Harnessing the Power of Russian History and Personal Longing

Seven years in the making, JULIA VORONTSOVA's 'OVER' 'is my vision of me,' the artist proclaims, adding: 'I feel between eras.'
by David McGee
 
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Spotlight Album
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Paving the Way for Those Who Paved the Way

Twenty-five superb tracks, starting in 1940, of the Mother of Gospel Music SALLIE MARTIN's early recordings, appraised as invaluable by JOURNAL OF GOSPEL MUSIC founder BOB MAROVICH
by David McGee
 
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Reviews
01

From a Master, A Master Class in Blues

There was a missing link in Louisiana Red’s recording odyssey, and it has been revealed on a new release from Labor Records, When My Mama Was Living, recorded in the early '70s in upstate New York and now seeing the light of ...
by David McGee
 
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Reviews
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That Swingin’ Little Guitar Man

Carl Perkins recalled a show he played in Atlanta in 1958 at which he was visited backstage by a young fellow who came with guitar in hand and introduced himself as Jerry Hubbard. The two pickers engaged each other in a couple ...
by David McGee
 
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