A recently unveiled 45-year-old tape recorded in a tiny Milwaukee club in 1968 gives us a powerhouse live performance by MAGIC SAM in prime-time mode, both in voice and with his guitar, on LIVE AT THE AVANT GARDE.
Merciless as ever, and making paint peel from the walls with the heat of his guitar blitzkrieg, DUDLEY TAFT has made his third solo album, SCREAMING IN THE WIND, his most memorable.
GENE 'DADDY G' BARGE, saxophonist and vocalist par excellence, made his first record in 1955 and went on to accompany some of the greatest names in blues and soul. His new solo album, OLIO, demonstrates all his gifts in full.
A few years ago LILY TOMLIN became engrossed in an effort to move two elephants from the L.A. Zoo to a sanctuary. Now she's championing the humane treatment of the big fellas in an HBO documentary, AN APOLOGY TO ELEPHANTS.
A project some 10 years in the making, HANGTOWN DANCEHALL by ERIC BRACE and KARL STRAUB tells tales of the Gold Rush days of the late 1840s centered on two lovers who learned an enduring life lesson the hard way.
Commemorating Shakespeare's 450th birthday, the ULSTER ORCHESTRA, under the direction of conductor JoAnn Falletta, offers two timeless Bard-related compositions by JOHN KNOWLES PAINE.
JESSE WINCHESTER Tribute, Part 2: a Jesse monologue, his most extensive comments on his years in and abiding love for Memphis--'It was the world to me'--from an interview with Crossroads to Freedom.
In tribute to the late, great JESSE WINCHESTER, we reprint this feature from the May 20 issue of TheBluegrassSpecial.com. Jesse said it was 'the best piece anyone's written about my music.' We don't know about that, but we'll take it.
Author-essayist CHARLES S. WEINBLATT explains why Passover and Easter are occasions for people of all faiths to 'eradicate the evil that surrounds us,' and declares, 'The rebirth of this spirit is the true meaning of Passover.'