Deep Roots Magazine - Roots Music and Meaningful Matters

Another Archeophone Treasure

It's another major event for ARCHEOPHONE RECORDS when the Grammy winning label releases, on September 30, the rarest known gospel recordings, from 1890-1900. BOB MAROVICH details all the specifics.

by David McGee

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Bach by Thile (Not Thile Does Bach)

It was inevitable: after flirting with Bach for his entire professional career, CHRIS THILE has released a solo album of the Baroque giant's Sonatas & Partitas. Reviewer CHRSITINE N. LAYTON hails it as a big winner.

by David McGee

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Being About Disconnect, Romantic and Otherwise

As he did n his surprising 2024 debut, LANCE COWAN once again looks deep into his characters' splintered interior lives, revealing many of them to be battling dark nights of the soul.

by David McGee

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No Down Payment (1957)

In 1957 director MARTIN RITT shattered the facade of bucolic suburban life in post-war America in his lost classic, NO DOWN PAYMENT. TONY RANDALL, JOANNE WOODWARD and PAT HINGLE lead an excellent cast. Plus two obscure Popeye-r...

by David McGee

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Gerald Scott’s ‘Edgy Sunday Morning’ Testimony in Song

A month before his senior class graduated from high school, Gerald Scott penned a song for the choir to sing at the commencement ceremony. “It was 2003, I was eighteen years old, and I wrote a song called ‘Destiny’ for th...

by David McGee

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It’s All Too Beautiful: Nellie McKay Sounds Off on…Everything

NELLIE MCKAY is never at a loss for words--about animals, the '60s, her new album (MY WEEKLY READER)--and she told it as it is in a lively TALKING ANIMALS interview with DUNCAN STRAUSS

by David McGee

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The Everyday Violence of Indian Country’s ‘Bordertowns’

Red Nation Rising is the first book to investigate and explain the violent dynamics of bordertowns and the long tradition of Native resistance. Review by KALEN GOODLUCK from Deep Roots media partner HIGH COUNTRY NEWS.

by David McGee

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And For Tomorrow, Too

On Just for Today, Ronnie Earl and the Broadcasters deliver an invigorating set of performances recorded in three venues in three Massachusetts towns

by David McGee

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