Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

The Christmas Song, Like No Other Christmas Song

NAT KING COLE. 'The Christmas Song.' End of story, right? Not quite. There's more where that came from.
by David McGee
 

 
 

‘You’ll Go Down In History’—And How

You know Dasher and Dancer and Prancer and Vixen… But do you know the real-life tragedy that spurred Robert May to write a poem for his four-year-old daughter that became a cultural and multimedia phenomenon? Rudolph takes fl...
by David McGee
 

 

 

Always More Love to Be Had

The TWANGTOWN PARAMOURS are back with their third album, DOUBLE DOWN ON A BAD THING, with well-wrought songs, sparkling musicianship, affecting vocals and a deeper exploration of the nuances of relationships. It ain't over 'til...
by David McGee
 

 
 

And Magic Slim Says ‘Well Done’

JOHN PRIMER is on fire in paying tribute to hid former boss, Magic Slim, with the surviving Teardrops and Slim's son, SHAWN HOLT, on the blues giant's latest outing.
by David McGee
 

 

 

The Real Christmas Miracle

JASON RINGENBERG may have taken to farming but he hasn't left his rock 'n' roll years behind him. He's back with a Yuletide gem outfitted with flourishes of punk and straight ahead rock 'n' roll that recalls his glory years fro...
by David McGee
 

 
 

To Ride an Avalanche in Yosemite

At the turn of the 20th Century, naturist JOHN MUIR, never one to shirk a chance for first-person experience in the wild, rode an avalanche down a mountain Yosemite National Park. And lived to tell about it, as he does here.
by David McGee
 

 

 

A Great Storm in Utah

From his collections of essay published in 1819, JOHN MUIR recounts 'A Storm in Utah,' and proves himself as insightful about the 'salt Latter Days' as he is poetic about the forces of nature.
by David McGee
 

 
 

‘Mission’ Accomplished

On her vaunted new album, Mission, CECILIA BARTOLI (this is her--really, it is) fashions the music of Agostino Steffani into a conceptual work brimming with passion, politics and intrigue. It is the opera great’s finest hour.
by David McGee