Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Mels: The True Story Of The World’s Most Famous Drive-In (Part 1)

Marking the 40th anniversary of the release of George Lucas's classic coming of age film, AMERICAN GRAFFITI, Deep Roots offers a history of MELS DRIVE-IN.
by David McGee
 

 
 

Gabriel’s Got Wings

Blues guitarist PAUL GABRIEL think his new album, WHAT'S THE CHANCE, produced by DUKE ROBILLARD, is his best yet. We second that emotion.
by David McGee
 

 

 

Chronicling a Spiritual Exodus from Modern-Day Anxieties

One of the first great albums of 2019, GOSHEN, by DONALD LAWRENCE PRESENTS THE TRI-CITY SINGERS, is a concept album ranging from worship songs to topical numbers to rages against the machine--and the power of faith.
by David McGee
 

 
 

To The Birthday Bard, Ever Young at 450

Commemorating Shakespeare's 450th birthday, the ULSTER ORCHESTRA, under the direction of conductor JoAnn Falletta, offers two timeless Bard-related compositions by JOHN KNOWLES PAINE.
by David McGee
 

 

 

150 Years of Touching the ‘Fount of Tears’

Next year an American treasure, the FISK JUBILEE SINGERS, will celebrate 150 years of bringing spiritual messages of hope, redemption and salvation to the world. The celebration begins with a great live album marking the occasion.
by David McGee
 

 
 

A Classic Restored

Long unavailable on these shores in CD form, a Christmas classic from GLEN CAMPBELL, 1968's THAT CHRISTMAS FEELING, has finally been reissued by Capitol Nashville. Noel!
by David McGee
 

 

 

The Mythic Weight Of Phil Spector’s Christmas Gift

In 1963, PHIL SPECTOR thought his CHRISTMAS GIFT FOR YOU album would be a career-defining event. Then a not-so-funny-thing happened to him on his way to musical world dominance. BILLY ALTMAN fills us in.
by David McGee
 

 
 

Talking Animals: Feral, And a Friend of Animals

She's 30 years into her Presidency of FRIENDS OF ANIMALS, an international animal advocacy organization, and her name really is PRISCILLA FERAL. 'I'm wired for this kind of confrontational work,' she says.
by David McGee