Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Helping Animals That Can’t Help Themselves

JULIE CASTLE, accidental employee turned CEO of Best Friends Animal Society, is spearheading a national movement to to persuade animal shelters to become no-kill by 2025. DUNCAN STRAUSS has the inside story.
by David McGee
 

 
 

Surf in Verse

Five choice poems by surfers about the spiritual experience of riding the waves, being at one with nature. Surf music interludes by DICK DALE, JAN AND DEAN, THE FOUR SEASONS, TAKESHI TERAUCHI & THE BUNNYS.
by David McGee
 

 

 

‘Almost Certainly Telepathic’

Do you believe in magic? South African guitar virtuoso GUY BUTTERY does, after an 'almost telepathic' session with MOHD. AMJAD KHAN and MUDASSIR KHAN, two master musicians from India, yielded the beautiful ONE MORNING IN GARGAON.
by David McGee
 

 
 

The Flame Burns Bright

A terrific record by any standard, On Down the Line illustrates Michael Cleveland and Flamekeeper's elevated cohesion and vibrant interplay even as it highlights the selflessness the bandleader brings to his calling.
by David McGee
 

 

 

Beatles ’64: Surmounting Media Skeptics, Fab Four Carve Out a Career

THE BEATLES were greeted by a skeptical, sometimes dismissive mainstream media as Beatlemania broke out abroad. On Feb. 9, 1964, the Fab Four dismissed the naysayers. Plus: The Beat Alls on The PowerPuff Girls.
by David McGee
 

 
 

Bob Marovich’s Gospel Picks

Seven potent new gospel releases appraised by BOB MAROVICH, including WILLIAM MURPHY, CASEY J, PHILLIP CARTER, GOLDEN GATE QUARTET, THE TOMMIES, THE RECORD COLLECTIVE and JESSICA DALLA TORRE.
by David McGee
 

 

 

Salt of the Earth (1954)

In 1954 a group of blacklisted filmmakers made the first blacklisted film in American history, SALT OF THE EARTH. Centered on a strike by Mexican-American workers in New Mexico, it is ever more timely now.
by David McGee
 

 
 

The End of the ’60s? Where Do I Begin…

In this installment of his forthcoming memoirs, contributing editor MICHAEL SIGMAN lands a full-time job at RECORD WORLD right out of college, at the very moment sure signals of the '60s' end could not be ignored.
by David McGee