Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Revisiting Dire Lullabies to Great Effect with Linda Ashman and Simona Mulazzani

LINDA ASHMAN's ROCK-A-BYE ROMP, with illustrations by SIMONA MUJAZZANI, is an early 2016 treat. Jules's review of same is another early 2016 treat.
by David McGee
 

 
 

An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.
by David McGee
 

 

 

Those Mean Woman Blues

A stomping groove, a steely, slice-and-dice guitar attack and a growling vocal greet listeners to CHRIS LORD & CHEATIN' RIVER's CHUNKABILLY BLUES, and this Seattle-based power trio never lets up from there.
by David McGee
 

 
 

Chuck Yeager Struts The Right Stuff At 89

This week, 89-year-old nonpareil badass Gen. Chuck Yeager, the first person to break the sound barrier, recreated his historic achievement of Oct. 14, 1947 on that very day in 2012. The right stuff indeed.
by David McGee
 

 

 

(Much) More To Come…

One of the finest contemporary bluegrass bands around is cementing its reputation as same during this, its 30th anniversary year, with the second of three overviews of each decade of its productive existence. Like Volume One, V...
by David McGee
 

 
 

Making A Great Miracle, From Scraps and Memories

In a Deep Roots exclusive, JEREMIAH LOCKWOOD reveals the backstory of his captivating new solo guitar album, A GREAT MIRACLE, subtitled Jeremiah Lockwood’s Guitar Soli Chanukah Record.
by David McGee
 

 

 

Alternate Routes, Same Destination

New holiday fare by KRISTIN KORB and Canada's folk duo SILENT WINTERS take alternate routes to arrive at the same destination: the heart--ours and the season's.
by David McGee
 

 
 

Young Mozart, Poised to Beguile Georgian Society

When eight-year-old Wolfgang Amadeus Mozart arrived in London in 1764, he was, according to JOSEPH NEWSOME, 'poised to beguile the music-loving denizens of Georgian society.' A new album, MOZART IN LONDON, captures that moment.
by David McGee