Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Reviews

Claire in Autumn

Although Claire Lynch’s exceptional Compass label debut, Dear Sister, was released at the end of May, at the height of Spring, it has the reflective, contemplative feel of an autumnal missive.
by David McGee
 
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Features / News

Pandemic Passover: A Moment of Rupture May Lead to a New Path

RABBI MICHAEL ROTHBAUM, reflecting on Passover's history of being recreated in 'inhospitable worlds of exile,' sees the traditional as having lessons to teach a COVID-19 planet.
by David McGee
 
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Here Comes Summer

Where the Gremmies and the Ho-Dads Never Go

WHERE THE GREMMIES AND THE HO-DADS NEVER GO: Riding a wave of surf music obscurities by THE PHAROS, THE DAKOTAS, THE SURF LORDS, THE FATHOMS, HAWAII SAMURAI and more.
by David McGee
 
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Reviews

Company’s Comin’

Wagons leader Henry Wagons is back with a compelling solo EP, 'Expecting Company?' These short stories in musical form find Wagons edging into Jorge Luis Borges territory. What will he make of that?
by David McGee
 
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Bob Marovich's Gospel Picks

Bob Marovich’s Gospel PIcks

A collection of gospel gems from veteran and new artists alike, including GLORIA GAYNOR's towering 'Testimony'; THE MANY's 'Love>Fear'; a reissue of REBA RAMBO's acclaimed 'Lady'; RENEE SPEARMAN's 'I Love Him,' and others.
by David McGee
 
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Here Comes Summer

‘Dad, I Think We Got One’ : Eddie Cochran and Jerry Capehart Craft A Seasonal Classic

EDDIE COCHRAN's manager and co-writer JERRY CAPEHART remembers the day he and Eddie, in search of a hit, wrote a certified seasonal classic, 'Summertime Blues'
by David McGee
 
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A Charles Dickens Bicentennial Moment

The Cautionary Tale of Jenny Wren

From his last published novel, Our Mutual Friend, comes the tale of Jenny Wren, a character Dickens uses to illustrate the damage adult alcoholics inflict on their offspring. Vividly drawn, altogether unforgettable, and the ins...
by David McGee
 
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Reviews

It’s Small’s World After All

Adhering to a '1 guitar, 1 voice, one foot format,' MARK T. SMALL's solo acoustic collection of mostly blues songs, with a taste of country and bluegrass for variety, is a low-key, honest effort that leaves a good feeling in it...
by David McGee
 
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