Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Bipartisan Consensus

Simple poetry and keen observations mark the elegant songs of Marty Atkinson and Katy Boyd, aka Blue Cactus Choir, whose first album, ...Once In a Bluegrass Moon is our new Album of the Week.
by David McGee
 

 
 

A Half-Century+ of Classic Animated ‘Rudolph’

On Dec. 6, 1964 NBC premiered an animated version of RUDOLPH THE RED-NOSED REINDEER with BURL IVES as host. It drew a 50 share and was an instant holiday classic. From a 50 share to 50+ years as a holiday staple, we pay tribute...
by David McGee
 

 

 

Art Songs, Folk Texts

In praise of POPULAIRES, a fascinating exploration of art songs with folk texts, by French Algerian soprano AMEL BRAHIM-DJELLOUL and pianist Nicolas Jouve, Reviewed by ROBERT HUGILL of Planet Hugill.
by David McGee
 

 
 

Love in The Medici Court

From fragments of the earliest known operas as performed at the Medici court in Florence, Italy, RAPHAEL PICHON has assembled a fresh, passionate whole--a celebration of love--in the two-CD set, STRAVAGANZA D'AMORE.
by David McGee
 

 

 

Two Worlds Under One Sun

On THE SUN OF BOTH WORLDS: TRADITIONAL TURKISH SUFI MUSIC, Turkey's DÜ-ŞEMS ENSEMBLE demonstrates the musical interaction between its homeland and its neighbors. A review and band profile ensue.
by David McGee
 

 
 

The Indefatigable George McPhee

The PAISLEY ABBEY CHOIR, with Director GEORGE. MCPHEE, offers the first outstanding choral album of 2021 in A CELTIC PRAYER, a program of choral and organ pieces by Scottish composers of contemporary and 20th Century Scottish s...
by David McGee
 

 

 

Like the Music, He Lives On

JEFF HEALEY, a remarkable artist by any measure, exercised his passion for vintage jazz and swing in his latter years and made memorable music. A new retrospective offers a stirring overview of some peak moments.
by David McGee
 

 
 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee