Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Sing We Now of Christmas

Holiday Music Stocking Stuffers 2025

A bounty of Stocking Stuffers 2025 including MARK and MAGGIE O'CONNOR, THE TWANGTOWN PARAMOURS, THE SPRINGFIELDS, DARYL MOSELY, ALEX MILLER, a Yule-inspired take on Poe's "The Bells," STELLA COLE, and FRANK SINATRA, among others.
by David McGee
 
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Spotlight Album

The Dark Saint Rises

A genuine Statement record, IVY FORD's CLUB 27 finds the gifted Chicago-based blues artist-singer, songwriter, multi-instrumentalist--coming into her own in a powerful way. One of the year's best here.
by David McGee
 
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Spotlight Album

Places in The Heart

Find yourself in THE UNENDING ALTERATION OF THE HEART if you will, but GABRIELLE LOUISE is addressing herself in unvarnished interior monologues, leading by example in facing head-on hard truths about life, love and loss. Behol...
by David McGee
 
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Classical Perspectives

‘Constantly Moving Between the Centuries…’

As they did on 2013's Mediterraneo, CHRISTINA PLUHAR & L'ARPGIATTA take a different approach, this time on the 17th century music of England's greatest composer, HENRY PURCELL
by David McGee
 
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Spotlight Album

James Cotton, Fully Present

Cancer has robbed him of his singing voice but not his spirit or his ability to play blues harp like no else around. At age 77, JAMES COTTON is going strong, as his new album attests. Review by BILL DAHL.
by David McGee
 
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Border Crossings

‘Almost Certainly Telepathic’

Do you believe in magic? South African guitar virtuoso GUY BUTTERY does, after an 'almost telepathic' session with MOHD. AMJAD KHAN and MUDASSIR KHAN, two master musicians from India, yielded the beautiful ONE MORNING IN GARGAON.
by David McGee
 
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Reviews

Of the Human Heart in Full

THE TWANGTOWN PARAMOURS return with a 'contemporary folk album' that explores the heart in full.
by David McGee
 
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Classical Perspectives

Blustery Days? Only Enchantment Here.

Enchanted Places: The Complete Fraser-Simpson Settings of A.A. Milne, joins the burgeoning portfolio of Milne poems set to music.
by David McGee
 
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