Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Features / News

An Impromptu Requiem for a Slain President

Upon hearing the news from Dallas on November 22, 1963, the BOSTON SYMPHONY ORCHESTRA, conducted by ERICH LEINSDORF, offered an impromptu requiem for a slain President.
by David McGee
 
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Spotlight Album

Here He Is

BILLY ALTMAN considers what PAUL SIMON has wrought on the seven interwoven tracks of SEVEN PSALMS.
by David McGee
 
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Reviews

Retrospectives of the Year (2016)

Something akin to Lifetime Achievement Awards: Paul McCartney's Pure McCartney and Rhonda Vincent & The Rage's All the Rage: Rhonda Vincent & The Rage Live in Concert, Volume One
by David McGee
 
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Spotlight Album

Considering Historical Conflict & Conflicted History

JASON RINGENBERG offers a reckoning with history on his 18th solo album, RHINESTONED, featuring the Freedom Riders, Crazy Horse, Jesus Christ and, in spirit, Hank Williams, the Ozark Mountain Daredevils, the Carter Family and T...
by David McGee
 
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Classical Perspectives

Melody and Drama from a Baroque Master

As part of CECILIA BARTOLI's Steffani Project, I BAROCCHISTI, under the direction of DIEGO FASOLIS, has recorded 'a first-class collection of instrumental suites and movements from Agosto Steffani's operas, DANZE E OUVETURES. P...
by David McGee
 
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Classical Perspectives

Aesthetically Unified as One Romantic Brotherhood

On RHEINMÄDCHEN, France's all-female vocal chorus ENSEMBLE PYGMALION, conducted by RAPHAEL PICHON, assays, with an invigorating twist, Wagner, Schubert, Schumann, Johannes Brahms and others.
by David McGee
 
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Take A Letter

Overqualified?

Feeling boxed in and in need of new challenges at age 30, LEONARDO DA VINCI relocated from his native Florence to Milan, and promptly wrote to the Duke of Milan, touting 'certain of my secrets' he felt the Duke would find usefu...
by David McGee
 
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Classical Perspectives

The ‘Circular Music’ of Pellingmans’ Saraband

On its new album, TWENTY WAIES UPON THE BELS, PELLINGMANS' SARABAND explores 'circular music' from the 16th and 17th centuries, including a tune with verses written by imprisoned Anne Boylen.
by David McGee
 
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