Deep Roots Magazine - Roots Music and Meaningful Matters

Serena Matthews Does ‘Moon River’

Deep Roots fave SERENA MATTHEWS kicked off the new year by sending us her distinctive take on Johnny Mercer's classic 'Moon River,' a beautiful version that brooks favorable comparison to Audrey Hepburn's original. You heard i...

by David McGee

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‘Cry’ of a Shredded Star Heralds a New Era for Testing Relativity

‘This gives us an opportunity to explore the nature of black holes and test Einstein’s relativity at a time when the universe was very different than it is today,’ Last year, astronomers discovered a quiescent...

by David McGee

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To Ride an Avalanche in Yosemite

At the turn of the 20th Century, naturist JOHN MUIR, never one to shirk a chance for first-person experience in the wild, rode an avalanche down a mountain Yosemite National Park. And lived to tell about it, as he does here.

by David McGee

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Magnificent Original

Conductor VLADIMIR JUROWSKI leads the State Academic Orchestra of Russia through a memorable performance of TCHAIKOVSKY's 1877 version of SWAN LAKE.

by David McGee

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Prayer Garden of Memphis Expands Artist Roster

The Prayer Garden of Memphis is presenting A Day of Prayer, Praise and Healing Explosion on Saturday, November 9 with a star-studded gospel artist lineup on hand.

by David McGee

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An Atmospheric Take on Debussy’s Piano Music

Angela Hewitt's new album, Debussy: Solo PIano Music is being hailed in all quarters for bringing a fresh perspective to the evocative piano music of Debussy. One of today's leading Bach pianists. Ms. Hewitt enhances her reputa...

by David McGee

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A Classic Blend, Thus a Classic

Now 87, BUCKY PIZZARELLI gives a vintage performance in tanden with his guitarist son JOHN PIZZARELLI and his frequent six-string collaborator ED LAUB on THREE FOR ALL

by David McGee

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Fashioning a More Thoughtful World

Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.

by David McGee

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