Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

This Close

A mixed bag of blues in different styles from Cleveland's GAETANO LETIZIA & THE UNDERGROUND BLUES BAND on VOODOO DOLL & OTHER BLUES LESSONS
by David McGee
 

 
 

She Loves, But Does He Love?

BLOSSOM & BEE, Sara Gazarek: Our Album of the Week follows Connie Evingson's Sweet Happy Life in being a tour de force of classic pop-jazz vocalizing, with some original songs complementing aesthetic investigations of Great Ame...
by David McGee
 

 

 

Hark the What? Ironies of a Beloved Carol

REV. MARK D. ROBERTS knows 'If you don’t want to tick people off, then don’t change the words of the hymns and carols.' As he explains, 'HARK! THE HERALD ANGELS SING' is a perfect example of this maxim.
by David McGee
 

 
 
christian robinson

A Late-Night Breakfast with Christian Robinson

Get out the veggies, eggs, and coffee mugs. Illustrator Christian Robinson is visiting for a late-night breakfast. (Why not? Breakfast for dinner! I say.) Given that he’s a vegetarian-though he admits he kinda misses his ...
by David McGee
 

 

 

Turning 65 with ‘Crazy’

As his 65th birthday looms, contributing editor MICHAEL SIGMAN reflects on a classic song his father, CARL SIGMAN, wrote in 1949, 'Crazy He Calls Me.' It, like Michael, has led a charmed life.
by David McGee
 

 
 

The Elite Half Hundred of 2016, Part 1

Fifty albums that made life worth living in 2016. Part 1.
by David McGee
 

 

 

Why Standing Rock Matters

In this measured but impassioned essay, LIZ PEREZ HALPERIN, Native American and Navy Veteran, explains the issues surrounding the Standing Rock resistance to the Dakota Access Pipeline. Must reading.
by David McGee
 

 
 

Family Ties

Bluegrass newcomers FLATT LONESOME are capturing the traditional world's attention with their debut album. A flawless start it's not, but the band is positioning itself for a long, fruitful run.
by David McGee
 

 

 

A Day With Felix Mendelssohn Bartholdy

Ever wonder what it would have been like to spend a day with, say, Felix Mendelssoh? Especially a day when Robert Schumann shows up? George Sampson did just that, and set down the experience for posterity.
by David McGee