HONEY DON'T returns with its first new album in nearly eight years, and it's a gem. THREADBARE finds songwriter BILL POWERS at his peak, and the band speaking to a larger moment.
RORY BLOCK returns in celebration of "power women of song" on AIN'T NOBODY WORRIED--a thoroughly captivating outpouring of signature songs by female artists from the '60s through the '80sl
MICHAEL MARTIN MURPHEY, collaborating with son RYAN MURPHEY, rises to every challenge he sets for himself on ROAD BEYOND THE VIEW, a standout among many in his extensive catalogue.
The TWANGTOWN PARAMOURS are back with their third album, DOUBLE DOWN ON A BAD THING, with well-wrought songs, sparkling musicianship, affecting vocals and a deeper exploration of the nuances of relationships. It ain't over 'til it's over.
Herein a dozen smokey, sensuous and often ambivalent discourses on love and passion delivered with the breathy tenderness and sublime understatement of someone defining love not as a many-splendored thing, but rather as a many-splintered thing. Melody Gardot returns.
'Good, not great,' says our DHRISTOPHER WALSH in in his deep dive into Sir Paul McCartney's McCARTNEY III, adding: '...it shows an artist still reaching, ideas still flowing.'
VALERIE JUNE seems to have stepped out of some sort of enchanted forest, spreading powerfully delivered but gentle-spirited songs that are so filled with whimsy and wonder they seem to be borne more of pixie dust than musical notes. Review by BILLY ALTMAN.
Twelve Grammy Awards and 23 GMA Awards into her towering career, CECE WINANS returns with her first non-holiday release in four years, and she does so in grand style on BELIEVE IT ALL. Gospel editor BOB MAROVICH calls it the best album he's heard in…