Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Reviews

The Persistence of ‘Time’

Seventeen albums into her career, KATHY KALLICK is making some of the best music of her distinguished career. The folk-bluegrass epistle TIME will hook you and never let go.
by David McGee
 
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Reviews

Jammin’ On the High Seas

Originally given away free as a collectible to patrons of the annual Rhythm & Blues Cruise , Robert Mugge’s hour-and-a-half documentary offers an in-depth look at the fabled after-hours jams sessions aboard ship, when...
by David McGee
 
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Reviews

‘The One Who Sings Sends His Sorrows Away’

Content meets form in a most unforgettable and humanistic way, on Samba, Jazz and Love, the latest Stateside release from Brazil's formidable CRISTINA BRAGA
by David McGee
 
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Reviews

What If?

Remembering STEVIE RAY VAUGHAN and Canned Heat's ALAN WILSON, on the 30th anniversary of SRV's debut, TEXAS FLOOD, and the release of a long-awaited Wilson retrospective.
by David McGee
 
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Reviews

With Purpose and Passion

"We were just raising some funds for this amazing junior high school on two Sunday afternoons with the student body and teachers also in attendance,” Darrell Scott writes in the liner copy. It may indeed have been as casual a...
by David McGee
 
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Reviews

There Goes the Sun

The 'lost' album from ARTHUR 'BIG BOY' CRUDUP's 1969 Delmark trifecta, SUNNY DAY, may have a placid surface, but things are roiling underneath. The road ain't so sunny.
by David McGee
 
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Reviews

The Deep Roots Elite Half-Hundred of 2018, Pt. 1

Part 1 of the Deep Roots Elie-Half Hundred of 2018 features ROGER MCGUINN, MELODY GARDOT, RORY BLOCK, RODNEY CROWELL, et al.
by David McGee
 
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Reviews
 

Wasn’t That a Time?

In 1966 BOB DYLAN recorded BLONDE ON BLONDE in Nashville and the floodgates opened. A new double-CD collection documents some great music made in Nashville from the mid-'60s through the early '70s.
by David McGee
 
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Reviews

That Swingin’ Little Guitar Man

Carl Perkins recalled a show he played in Atlanta in 1958 at which he was visited backstage by a young fellow who came with guitar in hand and introduced himself as Jerry Hubbard. The two pickers engaged each other in a couple ...
by David McGee
 
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