“As fast as we roll, we’re always catching up/as much as we have, it’ll never be enough/as hard/as hard as we work, we just work our fingers to the bone/what do we have to show?” Listening to this catchy chorus of the f...
Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.
Janis Martin had a brief moment in the sun in the mid--'50s as a pioneering female rock ''n' roll artist billed as 'The Female Elvis.' In 2006 Rosie Flores took Martin back into the studio and produced the terrific Blanco Sessi...
DANCING DAY: MUSIC FOR CHRISTMAS, the last recording JOHN SCOTT made with the SAINT THOMAS CHOIR OF MEN & BOYS before his tragic death this past August, is a reverent seasonal classic.
A bluegrass trifecta: three new albums, by DALE ANN BRADLEY, THE DILLARDS and PHIL LEADBETTER AND THE ALL STARS OF BLUEGRASS (featuring Steve Gulley) all speak to the moment, addressing a variety of current hot-button issues in...
It's a beautiful day in the neighborhood when KIMM ROGERS dives into her songs on WHERE THE PAVEMENT GROWS and asks: 'Would you be mine? Could you be mine?'
After a year of personal misfortune, siblings ELAINE and LEE ROY, aka THE ROYS, have transformed their miseries into art on their new album, GYPSY RUNAWAY TRAIN, another stone-cold winner for the duo.
AL BASILE brings his voice, his cornet and his songwriting skills to bear most impressively on a new album that speaks to respect for those who came before even as it addresses contemporary issues.