Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Inside the Farm Sanctuary Movement

For nearly 40 years, GENE BAUR's FARM SANCTUARY has been pushing back against the abuses of factory farming. The fight goes on, as Baur explains to DUNCAN STRAUSS.
by David McGee
 

 
 

Swinging the Pendulum on Pit Bulls

Esquire writer-at-large TOM JUNOD is among those leading the charge to change public perceptions about pit bulls. TALKING ANIMALS host DUNCAN STRAUSS sits down with Junod to clear the air about these misunderstood canines.
by David McGee
 

 

 

To Ride an Avalanche in Yosemite

At the turn of the 20th Century, naturist JOHN MUIR, never one to shirk a chance for first-person experience in the wild, rode an avalanche down a mountain Yosemite National Park. And lived to tell about it, as he does here.
by David McGee
 

 
 

A Fine Place Worth Fighting For

A passion project about climate change, saxophonist ALISTAIR PENMAN's THE LAST TREE''s music is inspired by the words of Ghandi, Voltaire, Hemingway, Obama and others, and features his instrument solo, overdubbed 14 times.
by David McGee
 

 

 

The Mesmerizing World of Music in 16th Century Convents

The mysterious world of 16th century convent music comes alive in MUSICAL SECRETA's LUCREZIA BORGIA'S DAUGHTER, comprised of motets published anonymously in Venice in 1543.
by David McGee
 

 
 

The Beauty of Belle at Yuletide

  By Robert M. Marovich   MY COLORFUL CHRISTMAS Regina Belle Tashi3  Entertainment/Altavoz Distribution http://iamreginabelle.com/   My Colorful Christmas, the first yuletide album from GRAMMY Awardee Regina Bel...
by David McGee
 

 

 

My Own Field Trip

A field trip with her students to Hawaii's Hoa 'Aina O Makaha reminds TOUTKA WONGSE-ONT of some eternal truths about nature--strong, spontaneous feelings that nonliving things could not evoke.
by David McGee
 

 
 

Walking, Fully Walking, in Life

I not only saw, heard and touched “nature,” I even tasted it. It “tastes” beautiful. And I feel “rich.”
by David McGee