Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Surf in Verse: Summer’s Last Ride

One last ride on the big waves, in verse, with a soundtrack featuring THE ASTRONAUTS, THE BEACH BOYS, THE G-MEN, THE CHANTAYS and vintage surfing footage by DR. DON JAMES. Plus the earliest known surfing poem, from 1911.
by David McGee
 

 
 

Making A Great Miracle, From Scraps and Memories

In a Deep Roots exclusive, JEREMIAH LOCKWOOD reveals the backstory of his captivating new solo guitar album, A GREAT MIRACLE, subtitled Jeremiah Lockwood’s Guitar Soli Chanukah Record.
by David McGee
 

 

 

Farm Bill Update

The fate of the Farm Bill, the effects of its not being passed, and wither the conservation compliance provisions? Plus, a statement in support of Conservation Compliance by the American Farmland Trust.
by David McGee
 

 
 

Marianne Dubuc and the Art of Silence

In her new book The Lion and The Bird, author-illustrator MARIANNE DUBUC invites young readers into her tale by means of 'interrupted silence, not rushing the story, letting it breathe.' JULES explains further.
by David McGee
 

 

 

Surf in Verse, 2021 Edition

Return to one of our most popular summer features, SURF IN VERSE, four evocative poems about the surf experience. This year's edition includes the oldest known surfing poem, THE SONG OF THE SURF, circa 1867, by ADAM LINDSAY GORDON
by David McGee
 

 
 

The Deep Roots Video Holiday Card

From DEEP ROOTS to our readers, a holiday card of the video variety, featuring the ghost of Jacob Marley, Ralph Kramden of The Honeymooners and Louis 'Satchmo' Armstrong in memorable seasonal moments
by David McGee
 

 

 

The Kid (1921)

Marking the 125th anniversary of CHARLIE CHAPLIN's birth, Deep Roots Theater presents his 1921 masterpiece, THE KID, starring Chaplin as the Tramp and 7-year-old JACKIE COOGAN as the Child.
by David McGee
 

 
 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee