Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 
 

Music of Friendships and Collaborations

Diverse at first, this disc makes a highly satisfying whole, linked together by the threads of the SACCONI's connection to composer JONATHAN DOVE. Herein an informed appraisal courtesy ROBERT HUGILL.
by David McGee
 

 

 

‘Hug’: Paws For Patriots Dogs Ease Wounded Veterans Passage Into Post-Combat Life

Since 2006 the non-profit organization PAWS FOR PATRIOTS has been training and providing, free of charge, guide dogs to veterans with visual impairments. DUNCAN STRAUSS has the inside story on this invaluable effort.
by David McGee
 

 
 

Rossini on Rossini, Byron on Rossini

From his 1886 book From Mozart to Marvio V1: Reminiscences of a Half Century, Louis Engel discloses the composer Giochino Rossini's slightly jaundiced view of his own legacy; in correspondence to two friends in 1818, Lord Byron...
by David McGee
 

 

 

The Cosmopolitan Queen of Bel canto

Classical contributor JOSEPH NEWSOME sits down for an enlightening chat with JESSICA PRATT, 'The Cosmopolitan Queen of Bel canto,' upon the release of her debut recital disc, SERENADE
by David McGee
 

 
 

Overqualified?

Feeling boxed in and in need of new challenges at age 30, LEONARDO DA VINCI relocated from his native Florence to Milan, and promptly wrote to the Duke of Milan, touting 'certain of my secrets' he felt the Duke would find usefu...
by David McGee
 

 

 

When Robert Mitchum Was Like So…

In 1957, while filming in Trinidad with director John Huston, ROBERT MITCHUM became obsessed with Calypso music, so much so that he made an entire album of it, for Capitol, with Johnny Mercer's blessing. It's good stuff. Let's ...
by David McGee
 

 
 

Of Heartbreak and Loss, 17th Century-Style

Countertenor RANDALL SCOTTING and lutenist STEPHEN STUBBS expressively offer songs of heartbreak and loss from yore.
by David McGee