After dazzling the opera world on stage last year, Belgium's SONYA YONCHEVA is doing it on record, with her debut album, PARIS, MON AMOUR--a different sort of French connection. Also: TRIO MEDIAEVAL.
The talented eccentric, LARA ST. JOHN, is back with a group of formidable friends with a 'Schubertiade,' an exciting exploration of 15 tunes written by Schubert and scintillatingly rendered on disc.
As they did on 2013's Mediterraneo, CHRISTINA PLUHAR & L'ARPGIATTA take a different approach, this time on the 17th century music of England's greatest composer, HENRY PURCELL
Commemorating Shakespeare's 450th birthday, the ULSTER ORCHESTRA, under the direction of conductor JoAnn Falletta, offers two timeless Bard-related compositions by JOHN KNOWLES PAINE.
Does classical music drive loiterers out of public places? Studies say so, and violinist GIL SHAHAM is counting on his music to further the burgeoning trend on MUSIC TO DRIVE LOITERERS AWAY. He hopes everyone enjoys the album. Or not. Whatever.
Israeli-born mandolinist AVI AVITAL is blurring the classical-folk lines anew with BETWEEN WORLDS, featuring the work of 'classical composers inspired by folk music.'
Among Czech nationalistic composers, Zdenek Fibich's work has been woefully overlooked. The Czech National Symphony offers a partial corrective on its new CD.
As part of CECILIA BARTOLI's Steffani Project, I BAROCCHISTI, under the direction of DIEGO FASOLIS, has recorded 'a first-class collection of instrumental suites and movements from Agosto Steffani's operas, DANZE E OUVETURES. Plus: News of Ms. Bartoli's complete Steffani Project available in a single box…
On his new album, OVER LIGHT EARTH, Icelandic composer DANIEL BJARNASON mirrors the current climate--it seethes rather than boils and speaks to the mood of its time