Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
A Charlie Chaplin Moment

I Meet Thomas Burke and H.G. Wells

In his 1922 travel memoir My Trip Abroad, CHARLIE CHAPLIN recalls his nerve wracking introduction to author THOMAS BURKE and a more sublime encounter with H.G. WELLS.
by David McGee
 
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Features / News

Over There: When Americana Doesn’t Mean American

A Deep Roots Exclusive from John E. Simpson: an investigation into what makes Americana Americana when the artists performing it aren't American.
by David McGee
 
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Seven Impossible Things Before Breakfast

Gabriella Barouch’s Art of Digital Illustration

Up-and-coming Israeli artist-illustrtor GABRIELLA BAROUCH was last year's 'Artist of the Season' for the Jerusalem Season of Culture. It's one of many honors she's racked up for her all-digital (even sketches) artwork.
by David McGee
 
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Features / News

How Mr. Chokepear Keeps A Merry Christmas.

From a December 25, 1841 issue of the British humor and satire magazine PUNCH, a story satirizing a heartless one-percenter's self-absorbed Christmas rituals.
by David McGee
 
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Classical Perspectives

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 
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Classical Perspectives

Where Western Classical Meets Native American Musical Culture

A citizen of both the United States and of the Chickasaw Nation in Oklahoma, composer JEROD IMPICHCHAACHAHA' TATE's music reflects his dual heritage. ROBERT HUGILL offers an informed perspective on this intriguing composer's art.
by David McGee
 
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Reviews

And The Truth Will Set You Free

JAMES KING, one of our greatest roots singers, takes some classic and relatively low-profile country and bluegrass tunes, puts a great backing band together, and delivers a bonafide classic of interpretive vocalizing.
by David McGee
 
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Departments

When Robert Mitchum Was Like So…

In 1957, while filming in Trinidad with director John Huston, ROBERT MITCHUM became obsessed with Calypso music, so much so that he made an entire album of it, for Capitol, with Johnny Mercer's blessing. It's good stuff. Let's ...
by David McGee
 
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Before Deep Roots existed, it was TheBluegrassSpecial.com, from April 2008 through July 2012.