Deep Roots Magazine - Roots Music and Meaningful Matters

Oceanic Swells of Feeling and Musicality

On COUCHVILLE SESSIONS, DARRELL SCOTT'S 'patient, perfectionism and passion' come together in 'ocean swells of feeling and musicality,' says our DERK RICHARDSON.

by David McGee

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Graffiti, Hip-Hop & Misfit-ness

In praise of graffiti-inspired illustrator THEODORE TAYLOR III, in his own book, OFF THE WALL, and in WHEN THE BEAT WAS BORN, the story of DJ Kool Herc.

by David McGee

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The Miracle Of Jesse Winchester

In tribute to the late, great JESSE WINCHESTER, we reprint this feature from the May 20 issue of TheBluegrassSpecial.com. Jesse said it was 'the best piece anyone's written about my music.' We don't know about that, but we'll t...

by David McGee

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Glorious Simplicity

Hailing from Portland, Oregon, SILVER LAKE 66 offers an interesting take on folk-country in its new album, RAGGED HEART. Attention must be paid, says our JOSEPH MCSPADDEN.

by David McGee

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Shakespeare’s Ophelia Finds a New Voice

SHAKESPEARE didn't give Hamlet's Ophelia near the complexity and substance HANS ABRAHAMSEN and BARBARA HANNIGAN bring to her character in LET ME TELL YOU.

by David McGee

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Lusitano: The First Known Black Composer, Acknowledged With Luminous Clarity

THE MARIAN CONSORT resurrects the Motets of VICENTE LUSITANO, the first known Black composer and a highly regarded 16th Century music theorist.

by David McGee

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The Elite Half Hundred of 2015, Part 1

TONY BENNETT & BILL CHARLAP lead this year's Deep Roots Elite Half Hundred selections of 2015's top albums (excluding our Album of the Year selections). Part 1 covers the Top 25.

by David McGee

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Exquisite

Jazz pianist THOMAS SNOW goes Americana on his memorable new album, FRIENDS, and gets a major assist in his efforts from singer-songwriter JONATHAN EDWARDS and mandolin master JOE WALSH. This is one of 2013's major roots finds.

by David McGee

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The Man In Black, In All Dimensions

In this the 80th year of JOHNNY CASH’s birth, Columbia/Legacy is celebrating with five new collections of vintage and previously unreleased Cash music that pretty much cover the waterfront of the Man in Black’s aesthetic.

by David McGee

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