Of Heartbreak and Loss, 17th Century-Style

Countertenor RANDALL SCOTTING and lutenist STEPHEN STUBBS expressively offer songs of heartbreak and loss from yore.
by David McGee
 

 
 

A Fresh Perspective on the ‘African Mahler’

CATALYST QUARTET, a young American ensemble, explores the chamber music of SAMUEL COLERIDGE-TAYLOR, works whose sophistication belies their early date
by David McGee
 

 

 

The Warmth of Arctic Saxophone

Haunting and beautiful, ARCTIC SAXOPHONE, by Norway's Ola Asdahl Rokkones, is an unforgettable experience.
by David McGee
 

 
 

Magnificent Original

Conductor VLADIMIR JUROWSKI leads the State Academic Orchestra of Russia through a memorable performance of TCHAIKOVSKY's 1877 version of SWAN LAKE.
by David McGee
 

 

 

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 
 

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 

 

 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee
 

 
 

Classical Perspectives: Richly Sophisticated

In life he was eclipsed by the shadow of his great pupil, Henry Purcell, and ensuing centuries have seen the 17th century composer JOHN BLOW nigh on to completely forgotten. Until this glorious moment.
by David McGee
 

 

 

The Mesmerizing World of Music in 16th Century Convents

The mysterious world of 16th century convent music comes alive in MUSICAL SECRETA's LUCREZIA BORGIA'S DAUGHTER, comprised of motets published anonymously in Venice in 1543.
by David McGee