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Home › Planet Hugill

Planet Hugill

The Other Brother Classical Perspectives

The Other Brother

An appraisal of 17th century lute music written by MICHELANGELO GALILEI, brother of GALILEO, the groundbreaking astronomer-physicist, as performed by ISRAEL GOLANI on a new EP.
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A Fine Place Worth Fighting For Classical Perspectives

A Fine Place Worth Fighting For

A passion project about climate change, saxophonist ALISTAIR PENMAN's THE LAST TREE''s music is inspired by the words of Ghandi, Voltaire, Hemingway, Obama and others, and features his instrument solo, overdubbed 14 times.
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Strange Magic: Rameau Meets ABBA Classical Perspectives

Strange Magic: Rameau Meets ABBA

Wherein Asya Fateyeva (saxophones) and Lautten Compagney Berlin create magic in teaming Jean-Philippe Rameau with ABBA.
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Celebrating the Stanford Centenary Classical Perspectives

Celebrating the Stanford Centenary

A century after his passing, CHARLES VILLIERS STANFORD gets a grand celebration.
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Pure, Unrepeatable Magic Classical Perspectives

Pure, Unrepeatable Magic

In 1938 SHAKESPEARE and RALPH VAUGHAN WILLIAMS met in music, now restored to our ears.
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Engaging Piazzolla, With Flair Classical Perspectives

Engaging Piazzolla, With Flair

Clasically trained, the LONDON TANGO QUINTET brings elegance and improvisatory freedom to a tango tribute.
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The Warmth of Arctic Saxophone Classical Perspectives

The Warmth of Arctic Saxophone

Haunting and beautiful, ARCTIC SAXOPHONE, by Norway's Ola Asdahl Rokkones, is an unforgettable experience.
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Blustery Days? Only Enchantment Here. Classical Perspectives

Blustery Days? Only Enchantment Here.

Enchanted Places: The Complete Fraser-Simpson Settings of A.A. Milne, joins the burgeoning portfolio of Milne poems set to music.
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Of Heartbreak and Loss, 17th Century-Style Classical Perspectives

Of Heartbreak and Loss, 17th Century-Style

Countertenor RANDALL SCOTTING and lutenist STEPHEN STUBBS expressively offer songs of heartbreak and loss from yore.
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Wherein Byzantine Chant Meets Sarum Liturgy Classical Perspectives

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.
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