Wonders Never Cease
KENTUCKY FOR ME, bluegrass icon DALE ANN BRADLEY’s new long player, may be a star-studded affair,but it’s all Dale Ann’s show. And it may be her best.
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Inside the Farm Sanctuary Movement
For nearly 40 years, GENE BAUR’s FARM SANCTUARY has been pushing back against the abuses of factory farming. The fight goes on, as Baur explains to DUNCAN STRAUSS.
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DEEP ROOTS ALBUMS OF THE YEAR, 2022
Honors for 2022 go to JOHN PRIMER, MICHAEL MARTIN MURPHEY & RYAN MURPHEY, RORY BLOCK, THE TWANGTOWN PARAMOURS, CORKY SIEGEL’S CHAMBER BLUES and six others.
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In Trim: Bruce Brown’s Endless Epic
Writing for Longboard magazine in 2005, PAUL HOLMES captured the entire epic saga of the making of BRUCE BROWN’s THE ENDLESS SUMMER.
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Bob Marovich’s Gospel Picks
New gospel CDs for the heart and soul from MINISTER KAI BROWN, KELL BAILEY, KONAI ADELPHE, EARNEST PUGH, PAUL PORTER & THE CHRISTIANAIRES
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In Heavy Rotation: Ladies Sing the Blues (and More)
Must-hear new CDs from TRACY NELSON, JEWEL BROWN, BARBARA BLUE and LIBBY YORK
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Dadaji’s Paintbrush: A Thing of Beauty
In which JULES hails ‘Dadaji’s Paintbrush,’ an open-hearted and tender intergenerational story of a boy and his grandfather in India, as ‘a thing of beauty’
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The Lost Instruments of Antiquity
ROBERT HUGILL reviews RICHARD BOOTHBY’s Alfonso Ferrabosco: Music for the Lyra Viol and JULIAN PERKINS’s Handel’s Attick: Music for Solo Clavichord
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