Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
dame kiri featured

Dame Kiri Turns 70, Bids Farewell to Opera (But That’s Not All, Folks)

Celebrating her 70th birthday today, DAME KIRI TE KANAWA is appearing at Covent Garden in a Donizetti farce--her last opera role, she says. But it's not the last we'll hear of her. Deep Roots pays tribute to a great.
by David McGee
 

 
 
saturn featured

Saturn’s Rings in Daylight, On the Night Side

A spectacular view of Saturn's rings as photographed from the planet's nightside by the Cassini spacecraft on the Cassini Solstice Mission.
by David McGee
 

 

 
humpback whale featured

Whale Breaches, Nearly Hits Kayakers, Film At 11

So you're kayaking along, and suddenly a humpback whale shoots up out of the water and breaches on top of you. The Whale Detective, aka TOM MUSTILL, lived it, made a film of it and has some insights into whale sensibility.
by David McGee
 

 
 
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The Elite Half Hundred of 2015, Part 1

TONY BENNETT & BILL CHARLAP lead this year's Deep Roots Elite Half Hundred selections of 2015's top albums (excluding our Album of the Year selections). Part 1 covers the Top 25.
by David McGee
 

 

 
pleasures featured

Music a Remedy

In his monumental ANATOMY OF MELANCHOLY, published in 1621, ROBERT BURTON argued for, among other things, music as a remedy for melancholy. It might work.
by David McGee
 

 
 
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To Dream Like an Angel

Under the direction of BERNARD LABADIE, LA CHAPELLE DE QUEBEC's THE ROAD TO CHRISTMAS will light your way, all through the days--nay, years--ahead.
by David McGee
 

 

 
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‘Star Spangled Banner’ @200: Five Noteworthy Classical Versions

Marking the 200th birthday of the 'STAR SPANGLED BANNER,' we present five notable classical versions and debunk the urban myth about STRAVINSKY being arrested for defaming the anthem.
by David McGee
 

 
 
Noah Max Songs of Loneliness Hugill

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee