Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Border Crossings

The Past and the Future Power of West African Rock

Mali's BASSEKOU KOUYATÉ & NGONI BA reach electrifying heights on BA POWER, on which Kouyaté’ continues exploring 21st Century possibilities of the ancient ngnoi lute.
by David McGee
 
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Features / News

Sorrow and Suicide

'Robin Williams's death has really stirred up a lot of stuff for me. Big time.' TONY CAPUTI reflects on his personal travails and gives thanks for the healing gifts a comic genius left us to savor.
by David McGee
 
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Reviews

No Words Necessary

If you were to select only all-instrumental albums of holiday music, you could hardly do better than to latch onto disparate Yuletide forays by LEROY ANDERSON and JOHN FAHEY
by David McGee
 
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Classical Perspectives

Shakespeare’s Ophelia Finds a New Voice

SHAKESPEARE didn't give Hamlet's Ophelia near the complexity and substance HANS ABRAHAMSEN and BARBARA HANNIGAN bring to her character in LET ME TELL YOU.
by David McGee
 
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Away Out There

NASA’s Chandra Sees Eclipsing Planet in X-rays for First Time

For the first time since exoplanets, or planets around stars other than the sun, were discovered almost 20 years ago, X-ray observations have detected an exoplanet passing in front of its parent star.
by David McGee
 
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Deep Roots Theater

Man of the Forest (1933)

Man attraction: Man of the Forest, a classic 1933 western starring Randolph Scott and Verna Hallie. Directed by Henry Hathaway, adapted from the Zane Grey novel. Selected short: Gus Visser and His Singing Duck (1925).
by David McGee
 
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Classical Perspectives

The Lost Instruments of Antiquity

ROBERT HUGILL reviews RICHARD BOOTHBY's Alfonso Ferrabosco: Music for the Lyra Viol and JULIAN PERKINS's Handel's Attick: Music for Solo Clavichord
by David McGee
 
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Features / News

The Man In Black, In All Dimensions

In this the 80th year of JOHNNY CASH’s birth, Columbia/Legacy is celebrating with five new collections of vintage and previously unreleased Cash music that pretty much cover the waterfront of the Man in Black’s aesthetic.
by David McGee
 
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