Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
costello magic shop

Sean Costello, Fully Present

Finally seeing the light of day after being recorded in 2005, SEAN COSTELLO's IN THE MAGIC SHOP is more than a fitting final tribute--it's a masterpiece by an artist who is fully present in all dimensions.
by David McGee
 

 
 
mass for oppressed1

Communing With Misfortune, In Search of Justice

Falsely convicted of murder, four Native Alaskans--the Fairbanks Four--were freed in 2015 after 18 years in prison. Composer Emerson Eads responded with MASS FOR THE OPPRESSED.
by David McGee
 

 

 
mccutcheon ghost light 1

The Inner Light

The thirty-ninth album of his career may be JOHN MCCUTCHEON's finest yet. The storytelling is vivid and moving, the music is appropriately nuanced, the singing heartfelt and engaging. Let GHOST LIGHT take hold.
by David McGee
 

 
 
al basile last

Always The Winning Hand

Ever-prolific AL BASILE returns with arguably his strongest effort yet, LAST HAND, a musical radio play concerning a May-to-December romance between an older man and a younger woman. Don't give away the ending.
by David McGee
 

 

 
John Paul McGee Gospejazzical Christmas cover

Tell It On the Mountain, Indeed

Gospel, jazz and Classical merge spectacularly on JOHN PAUL MCGEE's A GOSPEJAZZICAL CHRISTMAS
by David McGee
 

 
 
lrb chronology

(Much) More To Come…

One of the finest contemporary bluegrass bands around is cementing its reputation as same during this, its 30th anniversary year, with the second of three overviews of each decade of its productive existence. Like Volume One, V...
by David McGee
 

 

 
lisa somebodys baby

Between Rock and a Traditional Place

Lisa Matassa's impressive EP Somebody's Baby is not for country traditionalist, but fans of contemporary arena-style mainstream country will find much to admire in the rock-fueled anthems, but there is evidence here of a sensit...
by David McGee
 

 
 
sarah alden fists

Chaotic, Angelic & Many Other Fine Things

A review of Sarah Alden's debut album, FISTS OF VIOLETS.
by David McGee