In Heavy Rotation: Blues, Soul Blues, Blazing Rock ‘n’ Roll

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Old-Time Good-Timey, with Hints of Grandeur

Nashville's THE HOWLIN BROTHERS are poised for greater things, if the trio's new Brendan Benson-produced album, HOWL, is any indication. John Hartford, for one, is smiling.

by David McGee

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The Flame Burns Bright

A terrific record by any standard, On Down the Line illustrates Michael Cleveland and Flamekeeper's elevated cohesion and vibrant interplay even as it highlights the selflessness the bandleader brings to his calling.

by David McGee

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The Whole Thing Was Such Fun

Perhaps when you hear Jesse croon the poignant plea, “Bring my baby, oh, my baby back to me…,” you think, Yes, please do bring him back. Please. Do.

by David McGee

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Coasting With the Blues

THE NICK MOSS BAND with DENNIS GRUENLING spans the continent on one of its finest outings.

by David McGee

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Where Day is A-Breakin’ in The Soul

The ST CHARLES SINGERS' AMERICAN REFLECTIONS imbues the listener with a sense of being on hallowed, holy ground, closer to the essence. Texts by RAINER MARIA RILKE, OCTAVIO PAZ, AARON COPLAND and others.

by David McGee

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Then and Now, Now and Then

Something old, something new, something borrowed and a whole lotta blues, boogie and country recommend the autobiographical PIANOGRAPHY from the master of the honky tonk 88s, EARL POOLE BALL.

by David McGee

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The Common Language of the Heart

Tony Bennett and Bill Charlap are together again, now in a relaxed, refined, reflective and altogether classy survey of the songs of Jerome Kern, 'the angel at the top of the tree.'

by David McGee

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On Down the Line

After a year of personal misfortune, siblings ELAINE and LEE ROY, aka THE ROYS, have transformed their miseries into art on their new album, GYPSY RUNAWAY TRAIN, another stone-cold winner for the duo.

by David McGee

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And The Truth Will Set You Free

JAMES KING, one of our greatest roots singers, takes some classic and relatively low-profile country and bluegrass tunes, puts a great backing band together, and delivers a bonafide classic of interpretive vocalizing.

by David McGee

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